< Back Bookwire and CB Set to Transform Dutch Digital Publishing Market August 19, 2026 at 4:48:05 AM European digital publishing took a major step forward as Dutch distribution giant CB (Centraal Boekhuis) and Frankfurt-based technology company Bookwire completed a massive infrastructure migration, integrating 105,000 digital titles into a unified distribution network. The long-term strategic partnership shifts CB’s underlying digital operations to the Bookwire OS platform. The migration incorporates CB’s full catalog, over 100,000 titles, comprising 80,000 e-books and 25,000 audiobooks. This incorporates 500+ publishing partners to more than 200 global distribution channels, including Kobo , the Dutch Royal Library (KB), and 130 local webshops. Rather than forcing Dutch publishers onto a new platform, the companies implemented a hybrid architecture. Bookwire runs as the backend technology engine, while publishers retain access through CB’s existing interface, CB Online. The technical rollout began in August 2025 and concluded its primary phase in July 2026 for Bookwire, with some additional operational steps for CB to still be implemented, including the connection of additional audiobook platforms and the transfer of audiobook sales in webshops to the Bookwire infrastructure. The shift allows CB to phase out legacy distribution tech without interrupting daily business operations, and Bookwire will assist with these last implementations. "Working with CB has allowed us to combine our global technology platform with deep local market expertise," said Christian Lindemann , COO at Bookwire. "This collaboration proves that innovation doesn't mean disruption." The deal solidifies CB's footprint across the Netherlands and Belgium while giving its local publisher network immediate access to Bookwire’s international reach and analytics suite. Both companies confirmed plans to explore further joint opportunities across European markets. Reported by Printed Word Reviews Share this article Copy link LinkedIn Facebook X (Twitter) WhatsApp Pinterest

Book review of Cyber Case Thorn by Ken Tentarelli . ISBN: 979-8242161870 < Back Cyber Case Thorn Ken Tentarelli Cybercrime, ransomware, technology, threats, security Independently published Share this review: Copy link Facebook LinkedIn X (Twitter) WhatsApp Pinterest When a series of cyberattacks disrupt live events, Incident Responder Seph Carano must unravel the mystery behind a notorious hacker known as Thorn before he strikes again, risking chaos and notoriety in the digital age. In a sharp departure from the sun-drenched, historical cobblestones of Renaissance Italy, award-winning author Ken Tentarelli pivots to the cold, neon-lit world of modern digital warfare in “Cyber Case Thorn,” his first in a new techno-thriller series. As the opening salvo of the Cyber Case series, this novella is a lean, high-velocity exploration of ransomware, vanity-driven hacking, and the thin digital line held by the Cyber Security Agency (CSA). Set in modern day New York City and various urban centers across America, the story begins not in a server room, but in a crowded club. When a live performance by a local band is derailed by a sudden, violent malfunction of the sound and lighting systems, the incident is initially dismissed as a technical glitch. However, Persephone “Seph” Carano, a seasoned Incident Responder for the CSA, senses something more sinister. What follows is a sophisticated procedural that tracks the rise of a new kind of predator: Leslie, a young, disaffected hacker operating under the alias "Thorn." Driven by a desperate hunger for dark-web infamy rather than mere financial gain, Thorn’s escalations move from disrupting local gigs to targeting high-profile political events, putting the stability of public safety at risk. Tentarelli populates the CSA with a believable, tech-savvy ensemble. Persephone Carano is a standout protagonist—methodical, sharp, and possessed of a "ticking clock" intuition that makes her the perfect foil for an unpredictable hacker. She is supported by a solid team, including forensic analyst Theo Garcia and analyst Zack Laski, whose technical chemistry provides the book with its "techno-thriller" pulse. The narrative also benefits from its civilian perspectives, such as Murray, the club manager, and Brad, a sound technician with high-level connections. However, the most intriguing figure is Leslie (Thorn). Tentarelli avoids the cliché of the "shadowy mastermind," instead painting Thorn as a vulnerable yet dangerous youth whose idolization of cybercriminals makes him a volatile threat. “Cyber Case Thorn” strength lies in its "digital forensics" storytelling. The investigation moves from the discovery of a Trojan hidden in sound-system software to a complex game of digital breadcrumbs. Tentarelli translates the invisible world of code and dark-web forums into high-stakes drama. The tension peaks when Thorn targets an event involving the Vice President, forcing the CSA and the FBI into a precarious collaboration. “Cyber Case Thorn” is a timely narrative that delves into the psychology of cybercrime. By focusing on the motive—the quest for notoriety—rather than just the method, Tentarelli adds a layer of human frailty to a genre that can often feel clinical. Previous Next

Book review of Hazardous Lies by Stephen J. Wallace . ISBN: < Back Hazardous Lies Stephen J. Wallace Thriller, Mystery/Crime, crisis, corporate cover-up River Grove Books Share this review: Copy link Facebook LinkedIn X (Twitter) WhatsApp Pinterest Haunted by a past tragedy, federal investigator Jon Barrett races against time to uncover the truth behind a deadly explosion at a chemical plant, facing corporate deceit and personal demons as he seeks justice for the victims. For fans of investigative thrillers, “Hazardous Lies” is a must-read that uncovers the dark side of corporate negligence. Set in the modern day, the story primarily unfolds in Charleston, West Virginia, and Washington, D.C., following the devastating aftermath of a catastrophic chemical plant explosion. It weaves together a high-stakes plot with deep-seated moral dilemmas. The story centers on Jon Barrett, a mechanical engineer burdened by a past professional failure that has left him cautious and withdrawn. When his new boss, Craig Higgins, tasks him with investigating the incident, Jon is thrust into a high-stakes and chaotic scene at the Chemtrifuge Chemicals plant. Jon's personal journey is central to the story; his initial reluctance to engage is slowly overcome by a growing sense of duty and a need for personal redemption. He faces resistance from plant manager Sam Page and HR manager Charlie, who are more concerned with damage control and deflecting blame onto contractors than with finding the truth. As Jon begins to dig, the atmosphere of corporate secrecy and outright obstruction becomes palpable, but his determination to find the truth ultimately pushes him past his own professional anxieties. The book succeeds in its exploration of character and theme. Jon's journey from a man haunted by failure to one relentlessly pursuing justice is a powerful arc of personal redemption. His investigation becomes more than a job; it is a quest to overcome his own past and advocate for the victims of the tragedy. He faces off against formidable figures like the ruthless executive Cain Quinn and contends with the political influence of Senator A.C. Mounts, whose son is tangled up in the incident. These confrontations highlight the central themes of corporate negligence and the unyielding pursuit of truth, painting a clear picture of the lengths to which powerful entities will go to conceal their mistakes. The tension culminates in a powerful climax as Jon uncovers the critical detail that improper materials in the plant’s piping directly contributed to the explosion, leading to a final high-stakes confrontation. The plot is thought-provoking, demonstrating how Jon's efforts lead to significant changes in company practices and charges against executives, while not shying away from the somber reality of the lives lost. It leaves an impression, underscoring the importance of integrity and perseverance in the face of profound adversity. “Hazardous Lies” is a compelling thriller that combines a thrilling plot with a meaningful character arc. It offers a detailed and intricate experience, perfect for readers who appreciate an immersive story about industrial disasters and the moral battles that follow. Through Jon Barrett’s courageous journey, the book ultimately affirms that even in the darkest of circumstances, the pursuit of truth can prevail. Previous Next

< Back Harvard Law Alums Publish Childrens Book About Fatherhood June 21, 2026 at 2:43:06 AM A pair of Harvard Law School alumni and current legal scholars have published their first children's book this week in anticipation of Father’s Day, meant to help fathers and their kids explore their emotions together—and to help dads learn how to tell their kids they love them out loud. The book is titled “You Are My Favorite Story,” and is available via Fair Share Publishing . It’s written by Shani King and N. Jeremi Duru , two former Harvard Law classmates and current law professors. Both have written books in the past, but this is their first collaboration, and Duru’s first children’s book. Illustrator John Jay Cabuay brings the book to life with vivid colors. “ You Are My Favorite Story celebrates the small moments that define fatherhood, the ones that feel ordinary until you realize they are everything,” the book description on Fair Share Publishing’s webpage states. “It validates what so many fathers already feel and do, while giving beautiful language to emotions that can be hard to name out loud.…It naturally models emotional vocabulary and connection in a way that feels like a gift rather than a lesson, making it as valuable in classrooms and school libraries exploring family and social emotional themes as it is at home on the nightstand.” King, who has written children's books before, told Harvard Law Today in a joint interview with Duru that the idea for the message came far before the idea for the book. “‘Have I ever told you?” is something that I’ve asked my kids for years,” King said. “It allows me to get away with telling them that I love them, that I believe in them, and that I love being their dad every day. On a random day years ago, I wrote a love letter to them and posted it online. That letter eventually became my first book. Years later, I wrote another love letter to them, but this one was from the perspective of a dad.” Instead of posting this one, though, King reached out to Duru, an old classmate and constant friend with whom he had regularly discussed the joys and struggles of fatherhood. “Shani emailed me out of the blue one day and asked me to take a look at and share with him my thoughts on a short piece of writing he’d done,” Duru told Harvard Law Today in the interview. “It was essentially a poem he’d written that involved a father speaking to his child. It was beautiful.” The authors say their goal for the book is to help dads find a way to tell their kids they love them, as fathers sometimes struggle with that kind of emotional intimacy. “I grew up being told I was loved, and as I have raised my children, I tell them I love them all the time, but it is not as easy for some fathers to be expressive in that way,” Duru said. “I hope this book sends the message that it is healthy and feels really good to tell your children how much they mean to you and that you love them. And for fathers who struggle to speak in this way with their children, I hope that in reading the book to their children, they can begin to feel more comfortable in being expressively loving.” Printed Word Reviews / Reported by Jules Roscoe Share this article Copy link LinkedIn Facebook X (Twitter) WhatsApp Pinterest

< Back It Was Either That Or AI October 5, 2026 at 5:51:25 AM On August 19, 2026, C'était ça ou mourir by Thélyson Orélien was published and became an instant hit. Originally released in France, the title, which translates to "It Was That or Die," was Orélien's debut novel, raking in accomplishments such as the Prix du roman Fnac and a first selection for the Prix Goncourt. Yet, just a few weeks later as quick as the praise rolled in, an ominous social media post made it all vanish, with claims of Orélien using artificial intelligence to write his work. The novel is told through the eyes of Jonas Dorléon, who has a Haitian background, same as Orélien. It is about a history and geography teacher's forced migration from Port-au-Prince due to the violence, traveling through the Southern hemisphere in order to get up North to Canada. Similar to Orélien's story of growing up in Haiti but needing to leave suddenly after the 2010 earthquake, seeking his family that was already settled in Quebec. The themes and timing of the book seemed to have tugged at the heart strings of readers as it uplifted the immigrant community and those seeking refuge, needing a figure of hope. Yet, across headlines, Orélien's once heartfelt piece is now being challenged and scrutinized with no actual evidence of AI usage or not. The post came on September 23rd from the account Balance ton Claude , which is ironically a twist on the company Anthropic and their Claude AI model. It shared screenshots of excerpts of the text run through an AI test model, showing that in most cases 100% of the text was written by AI. Independent French publications did runs of the same excerpts on their own and got the same results, confirming the anonymous poster's claims. As this growing use of AI has many on edge as to what's real and what's fake, determining who they can turn to for authentic literature and thought-provoking pieces is looking to be more of a challenge every single day. Many authors have stood their ground with stances of using no AI whatsoever, while others are more lenient, saying they don't mind using it for brainstorming or organizing notes. However for Orélien, C'était ça ou mourir was removed from the first selection for the Prix Goncourt, and the Strasbourg Espoir CIC prize, a harsh but conclusive decision made by the board. Yet, Orélien started his career in 2007, where he won the international prize for young authors Switzerland with his entry titled Les Couleurs de ma terre or "The Colors of My Land," and a Radio-Canada award in 2012 for a short story of his, "Where is the World Going?" He then pivoted his writing career into one of justice, earning his law degree in Haiti and then studying politics at the University of Montreal Yet, are we passing judgements too quickly? Jon Malysiak from Medium warns of the “ease with which a screenshot from an AI detector can travel around the internet as though it were conclusive proof.” If a single flawed screenshot can convict a writer, what does this say about how we weigh evidence. Are we willing to cast away authentic writing and creativity in fear of being deceived? If we respond to that fear by accusing everyone of using AI or beginning to have an automatic mistrust over any writing we don’t just punish authors and creators, but also change the incentives. Originality will no longer be an asset but a liability and the safest route would be to lean into and normalize AI approaches to writing and crafting stories in order to get ahead of the backlash. In trying to protect and uphold writing standards, we may end up normalizing the very thing we feared, and drive real creativity further into the shadows. Printed Word Reviews / Reported by Mali Ayala Share this article Copy link LinkedIn Facebook X (Twitter) WhatsApp Pinterest

< Back BOOKCamp Magazine Unveils Major Redesign Alongside Sweeping Initiatives to Boost Author and Publisher Exposure, Industry Growth July 29, 2026 at 12:41:07 PM BOOKCamp Magazine Publisher Ted Olczak Announces a Number of Key Initiatives to Support Independent Authors and Publishers BOOKCamp Magazine, a publication dedicated to navigating the business, marketing, and creative challenges of book publishing, today announced a complete magazine redesign alongside a slate of major initiatives aimed at expanding opportunities for independent authors and publishers. Publisher Ted Olczak unveiled the changes, highlighting new high-profile columnists, key editorial serialization and hires, redesigned web award platform, and fresh educational resources for the publishing community. The flagship transformation includes a revamped visual layout and enhanced editorial structure for BOOKCamp Magazine, designed to deliver actionable strategies, trade insights, and essential commentary in a more engaging, modern format. Key Highlights of the Forthcoming Announcements: Introduction of past Book Industry Study Group (BISG) executive director Brian O’Leary and his new BOOKCamp column, Friction Factor. Publishing supply-chain expert Brian O’Leary joins the publication to author a brand-new column titled Friction Factor, focusing on identifying and resolving inefficiencies across book publishing and distribution. Serialization of J. Chester Johnson ’s For Racial Healing: BOOKCamp Magazine will host both past and new installments of the deeply influential serialization For Racial Healing by acclaimed author and poet J. Chester Johnson, offering practical frameworks and personal insights for addressing American racism and fostering meaningful racial healing. Expanded Publisher and Author Exposure; Show Partnerships: Building on momentum across major trade events, BOOKCamp Magazine continues to partner with leading book shows and industry conferences, include BOOKCamp in Ireland and the International Dublin Writers Festival, creating new avenues to showcase indie authors to wider trade audiences. Continued "ChangeMaker" Interviews: The popular ChangeMaker interview series continues, featuring an insightful discussion with industry leader Brooke Warner on the evolving dynamics of modern publishing in the newly designed edition. Website redesign for Independent Press Award: The official awards website, www.independentpressaward.com , has undergone a full redesign, delivering a streamlined experience for applicants, judges, and literary enthusiasts exploring award-winning books. Expanded Coverage for Authors, Publishers and Vendors: The publication is expanding its spotlight to feature deeper profiles of authors as well as service providers, tools, and vendors powering the BOOKCamp ecosystem. Team Expansion: To support this rapid growth, BOOKCamp has brought on additional staff dedicated specifically to editorial quality and promotional outreach. New FREE Educational Webinar Series : Launching alongside the redesign, BOOKCamp Magazine will offer a series of complimentary webinars. Led by industry veterans, these sessions will cover critical publishing topics, including distribution, bookstore pitching, and targeted book marketing. "Our mission has always been to level the playing field for authors and independent presses," said Ted Olczak, Publisher. "This fresh design—combined with landmark columnists like Brian O'Leary, essential serialization projects like J. Chester Johnson’s For Racial Healing, and an upgraded award platform—gives writers and publishers the exact tools, exposure, and industry connection they need to succeed in today's marketplace." To distinguish the magazine from the event itself, the signature BookCAMP logo remains unchanged as the official emblem. Organized by Printed Word Reviews, BookCAMP is a multi-day publishing conference and literary event designed for independent authors, small press publishers, writers, and industry professionals. As it continues to expand its programming and local reach, the event reinforces its established brand identity and ongoing commitment to the indie publishing community. The newly redesigned issue of BOOKCamp Magazine and details regarding the upcoming free webinar series are available immediately. Reported by Printed Word Reviews Share this article Copy link LinkedIn Facebook X (Twitter) WhatsApp Pinterest

< Back Brooke Warner Believes in the Individual Story: Reader Turned Editor Says Good Stories Are for Everyone August 18, 2026 at 7:25:36 AM Brooke Warner doesn’t believe in exclusivity. As the publisher of She Writes Press , an award-winning hybrid publisher for women authors, Warner works to publish manuscripts that traditional publishing tends to overlook. She believes traditional major publishing houses have a bad habit of saying no to good ideas, if they come from the “wrong” kind of people. She thinks publishing should be accessible to everyone who has a good story to tell. But she didn’t start her career that way. In fact, she hadn’t been planning to get into publishing at all. Warner graduated with a degree in international affairs, but as she began looking for work, she didn’t feel that it was a natural fit. As she began exploring her options, though, the idea of book publishing started creeping in. Right out of college, she spent a year traveling in Europe and worked at Shakspeare and Company, an independent bookstore in Paris. But that was only the first sign. “I came to books, really, because my mom said, ‘What do you love? If you could do something you loved, what would that be?’ And I said, ‘Read,’” Warner said. “ So many people come to book publishing from having a degree in English, or because they’re writers. I was always a reader. And there were all these little pointers, that were almost like the universe pointing in a certain direction.” At 23, Warner landed her first entry-level role, at nonprofit California publisher North Atlantic Books . From there, she grew her career in traditional publishing for 13 years, all the way to becoming the executive editor of Seal Press , a women’s letterpress founded in a Seattle garage. She avidly worked on expanding the field for women writers and cultivating marginalized voices like transgender authors. She loved her work. Then, Seal got acquired. And Warner began to feel disillusioned with her new corporation’s publishing preferences. Books began being scrutinized for the author’s attractiveness and celebrity name value, rather than content. In a 2017 Tedx talk, she walked through one of the main experiences that flipped the switch for her on traditional publishing. One book she had wanted to acquire was by an up-and-coming transgender author. When she pitched it, her publisher told her that the new parent company of the press thought they had published enough of “those kinds of books.” Instead, a few weeks later, she got an offer from an author who had “all the right bells and whistles.” She was attractive, well-connected, and had a celebrity connection. Warner saw those two projects, juxtaposed, as “symbolic of something much bigger” in how publishing was moving. “ I came in at such a moment where editorial was really prioritized, and over 13 years, we got deprioritized,” Warner said. “Marketing started to take over the decision-making for acquisitions. It was very frustrating.  These corporate entities buy little, tiny presses that have a certain sensibility and a certain personality, and it was awful. It was really disappointing, and so I realized I just wasn’t happy anymore.” And she began looking for a way out. Through an online community for women writers that she had been participating in, she found it. Kamy Wicoff, an author and therapist, had founded She Writes in 2009 as a way to help women authors break into and understand the publishing field. Wicoff had begun working with Warner even before Seal was acquired, to put on writing and coaching workshops for the community’s membership. “ It was just clear from the beginning that our missions and the things that we cared about and believed in were really aligned,” Wicoff said. “Brooke immediately became a really important part of that community, and had a great, authentic, inspirational voice there. And so when she started to identify some things that she thought needed changing in publishing, she reached out to me.” In 2012, Warner pitched Wicoff on the idea of She Writes Press, an independent publisher dedicated to women authors. She wanted to model it based on what she loved most about Seal Press, and what she had wanted it to become. “ When she brought it to me, it resonated from the writer side,” Wicoff said. “ For me as a writer, part of what was really exciting and appealing was that she was really devoted to finding ways to make publishing work better.  The traditional model, while it purported to be a gatekeeper based on the quality of manuscripts, really the gatekeeping was about profit, frankly—which is fine, there’s a real place for that. But I think it left many writers who couldn’t get published in that system feeling as though their work was not worthy of being read. And we both believed that was actually not the case.” Since its founding, She Writes Press has signed 1,300 authors and published thousands of books across seven genres, a number of which have sold tens of thousands of copies. In 2019, it became the first hybrid publisher to win the Indie Publisher of the Year award by the Independent Book Publishing Professionals Group. In March of last year, it joined the Stable Book Group , an independent press collective, of which Warner now serves as the COO. She likes to keep busy outside of publishing, too. Warner regularly coaches authors on writing memoir, one of her favorite genres to read, and cohosts the weekly Memoir Nation podcast . Warner still thinks corporate publishing has all the same problems. But she understands why that world works the way it does. “ I don’t begrudge them,” she said. “Obviously, there are editors who work in traditional publishing who are falling in love with the words. But if you go to editorial and you have a really beautiful book and the author is no one, and you just did a similar kind of book last season, it won’t be acquired. It’s still based on connections. I’m not sitting here stewing over it, it’s business. But I think what happens is that books that should be published don’t get an opportunity, and it’s not because of the books, it’s not because they’re not worthy. It’s because the author doesn’t have ‘star power’.” Warner came to publishing as a reader. At She Writes Press, she focuses on books that she believes need to be read. “ We’re looking for good writing. We’re looking for a good story. And we’re not bound by these pressures,” she said. “Let’s say we did a mother-daughter memoir. [In traditional publishing,] if I had tried to acquire something similar even within one year of that, it would be, ‘Well, we already did a mother-daughter memoir a year ago.’ She Writes’ whole mission is not to be hemmed in in that way. We can publish two mother-daughter memoirs in the same season, because it’s about the writing.” A large part of why traditional publishing looks for freshness is to maximize the chances of making a profit. She Writes Press is an author-subsidized hybrid publisher, which removes that pressure from the editorial selection process. Authors also have more creative control with She Writes Press. The press will copyright the book in their name, but the authors themselves retain their rights. As of January 2026, She Writes Press’ publishing package comes in at $12,000. That covers things like cover design, proofreading, inventory warehousing, and traditional distribution through major publishing house Simon & Schuster, which acts as the press’s sales force. That’s an interesting tension for Warner, who supports everything indie, to think about. “ Simon & Schuster is our distributor, and they’re in a lot of ways very independent, and the individuals who work there are awesome,” she said. “But also, they’re backed by private equity. I think we’re in a really challenging environment, because there’s a lot of private equity in the market, and that’s also sometimes how people are surviving. It’s hard. And when I think of an author on Random House, for instance, that individual author is someone who should be supported. Their book should be supported just as much as the next person’s. I think we live in a ridiculously capitalistic society that shoves people who want to do good and independent things into really small corners. To survive, you kind of have to participate in that structure. ” Just like in her approach to publishing, Warner’s approach to this challenge is to focus on the individuals who work within it. “There is no easy answer,” she said. “But in each of those ecosystems, there’s awesome human beings working who care about books.  I worry about a lot of these high level things that are sort of out of my control, and then I try to get grounded and keep going.  By focusing on my authors, and why they’re with She Writes, and doing the best job that we can do for them, and being proud of the work that we’re publishing, and remembering the mission. It’s super gratifying. Publishing is challenging as an industry. But every single author who opens their box of Advance Reader Copies is a reminder that this matters.” Printed Word Reviews / Reported by Jules Roscoe Share this article Copy link LinkedIn Facebook X (Twitter) WhatsApp Pinterest

Book review of The Infidelity Cure: How to Rebuild Your Life & Relationship After Your Affair, A Guidebook for Men and the Women Who Love Them by Jeanne Michele PhD . ISBN: < Back The Infidelity Cure: How to Rebuild Your Life & Relationship After Your Affair, A Guidebook for Men and the Women Who Love Them Jeanne Michele PhD Marriage Sacred Journeys Publishing Share this review: Copy link Facebook LinkedIn X (Twitter) WhatsApp Pinterest The Infidelity Cure: How to Rebuild Your Life & Relationship after Your Affair Dr. Jeanne Michele's "The Infidelity Cure: How to Rebuild Your Life & Relationship after Your Affair" offers a lifeline for men struggling to recover from the devastating impact of infidelity. This comprehensive guide doesn't shy away from the complexities of infidelity, delving deep into the motivations, vulnerabilities, and emotional landscapes that contribute to this betrayal. Finding Your Way Back: A Guide to Healing After Infidelity A Roadmap to Recovery The book provides a clear roadmap for men to navigate the challenging terrain of recovery. It begins by examining the underlying factors that drive infidelity, including the allure of forbidden desires, unmet needs, and vulnerabilities within relationships. Dr. Michele doesn't offer easy answers but encourages readers to confront their actions honestly and explore the root causes of their infidelity. Navigating the Aftermath "The Infidelity Cure" guides readers through the critical steps of recovery, from immediate crisis management ("emergency dos and don'ts") to long-term healing. It acknowledges the emotional turmoil experienced by both the partner who had the affair and the betrayed partner. The book emphasizes the importance of self-reflection, encouraging readers to explore past experiences, childhood wounds, and relationship patterns that may have contributed to their actions. Rebuilding Trust and Redefining Relationships A key focus of the book is rebuilding trust and redefining the relationship. Dr. Michele provides practical guidance on how to have courageous conversations, make amends, and navigate the often-painful process of forgiveness. She emphasizes the importance of open and honest communication, setting healthy boundaries, and honoring commitments. Beyond the Affair "The Infidelity Cure" goes beyond simply addressing the immediate aftermath of the affair. It explores the broader implications of infidelity, including its impact on self-esteem, masculinity, and overall well-being. Dr. Michele encourages readers to redefine their values, live with integrity, and create a life that aligns with their authentic selves. A Valuable Resource Dr. Michele's book is a valuable resource for anyone impacted by infidelity. It offers a compassionate yet direct approach to healing, empowering readers to take responsibility for their actions, rebuild trust, and create a more fulfilling and authentic life. While the subject matter is sensitive, "The Infidelity Cure" offers a beacon of hope for those seeking to navigate the complexities of infidelity and emerge stronger and more resilient. Previous Next

Book review of Transitioning Your Federal Resume to Private Industry: Are You at the Fork of the Road? by Kathryn Troutman . ISBN: < Back Transitioning Your Federal Resume to Private Industry: Are You at the Fork of the Road? Kathryn Troutman Reference Resume Place Share this review: Copy link Facebook LinkedIn X (Twitter) WhatsApp Pinterest This book serves as an indispensable resource, expertly bridging the gap between the often-complex federal resume format and the concise, results-driven expectations of private industry hiring managers. Kathryn Troutman's latest guide, "Transitioning Your Federal Resume to Private Industry: Are You at the Fork of the Road?", arrives at a crucial time for many federal employees contemplating a shift to the private sector. This book serves as an indispensable resource, expertly bridging the gap between the often-complex federal resume format and the concise, results-driven expectations of private industry hiring managers. One of the book's most significant strengths is its practical, eight-step methodology. Troutman meticulously breaks down the daunting task of converting a typically lengthy federal resume into a streamlined, impactful two-page private industry document. The process is clear and actionable, covering everything from updating your existing federal resume to identifying target job announcements and strategically highlighting accomplishments that resonate with private sector employers. A standout feature is the forward-thinking integration of artificial intelligence tools, such as ChatGPT and Microsoft Copilot. Troutman demonstrates how these technologies can be leveraged to efficiently extract crucial keywords from job descriptions, a vital step in optimizing resumes for Applicant Tracking Systems (ATS) and human reviewers alike. This modern approach ensures that job seekers are equipped with contemporary strategies for today's competitive market. The book truly shines through its seven comprehensive case studies. Each example provides a "before and after" snapshot, showcasing an original federal resume, the target private industry job announcement, an AI keyword analysis, the transformed two-page private industry resume, a tailored one-page cover letter, and an updated LinkedIn profile summary. These real-world illustrations offer invaluable insights and practical templates for readers to adapt to their own situations. Kathryn Troutman's reputation as the "Federal Resume Guru" is well-earned, and her expertise permeates every page. With over 30 years of experience in federal resume writing and career coaching, she possesses a deep understanding of both federal and private sector hiring landscapes. Her ability to demystify the transition process and empower job seekers with actionable advice is evident throughout the book. "Transitioning Your Federal Resume to Private Industry" is an essential read for any federal employee considering or actively pursuing a career in the private sector. It is equally valuable for resume writers and career coaches who assist clients in navigating this specific career transition. In conclusion, this book is a timely, thorough, and highly practical guide. Troutman's methodical approach, combined with her embrace of modern tools and extensive experience, makes "Transitioning Your Federal Resume to Private Industry" a must-have for anyone at the "fork in the road" of their federal career. It provides the clarity and tools needed to confidently step into the private sector. Previous Next

Book review of The Pits: Life Literally Bit Me in the Ass by Cheryl Edwards . ISBN: < Back The Pits: Life Literally Bit Me in the Ass Cheryl Edwards Memoir, trauma, emotional distress, dog attack, healing Huber House Press LLC Share this review: Copy link Facebook LinkedIn X (Twitter) WhatsApp Pinterest After surviving a brutal dog attack, a resilient woman navigates the harrowing journey of recovery, grappling with trauma, guilt, and the complexities of friendship while striving to reclaim her life and love for animals. Cheryl Edwards's memoir, “The Pits: Life Literally Bit Me in the Ass,” is not for the faint of heart, yet it is utterly essential reading for anyone seeking an unflinching look at the aftermath of severe trauma. What begins as a terrifying, visceral account of a vicious attack by three pit bulls quickly evolves into a surprisingly witty and deeply honest exploration of physical survival, psychological breakdown, and the long, non-linear path to emotional reclamation. The narrative immediately begins with the trauma, detailing the intense pain and frantic struggle to escape her friend’s dogs. Edwards recounts the immediate aftermath: the desperate plea for help from neighbors, the whirlwind of the emergency room, and the initial treatments for life-altering injuries. This section alone serves as a harrowing lesson in survival, highlighting the sheer tenacity required to endure a devastating event. “The Pits” focuses on the recovery process, which dominates the book. Edwards is candid about the physical ordeal—the necessary but agonizing procedures, the reliance on her husband for simple daily tasks, and the slow, frustrating progress of physical therapy. She credits her pre-attack fitness with her survival, adding a layer of poignant irony to the physical setbacks she must now overcome. However, it is the emotional and psychological fallout that provides the memoir’s most profound insights. Edwards grapples with immense guilt and the societal pressure to assign blame, often feeling compelled to defend herself and the dogs' owner while silently wrestling with crushing anxiety and Post-Traumatic Stress Disorder (PTSD). Her journey through therapy, specifically her experience with Acceptance and Commitment Therapy (ACT), is rendered with thoughtful detail, offering readers a realistic glimpse into the hard work of trauma recovery. She expertly contrasts the woman she was—an adventurous dog-lover—with the person she becomes, a survivor forced to reconcile her deep connection with animals with an instinctual, paralyzing fear. Edwards's writing style is accessible, underpinned by a raw, Gen X sense of humor that acts as both a shield and a lifeline. This wit is crucial; it prevents the heavy subject matter from becoming unbearable, allowing moments of dark comedy to illuminate the absurdity of her new reality. Her honesty—about the anger, the resentment, and the exhaustion—is what makes this memoir stand out from more sanitized narratives of overcoming adversity. “The Pits” is a testament to the fact that healing is messy, imperfect, and non-conclusive. The author doesn't promise a return to "normal," but rather an acceptance of a "new normal." This book is highly recommended for anyone who has experienced trauma, for family and friends seeking to understand the inner lives of survivors, and for professionals in the trauma support field. Previous Next

Do you know someone who is making an impact? At Printed Word Reviews, we want to honor the innovators, advocates, and trailblazers who are transforming the publishing landscape for the better. If you know someone making a significant impact—whether through diverse storytelling, industry reform, or creative leadership—now is the time to give them the recognition they deserve. Nominate a Printed Word Reviews ChangeMaker today and help us celebrate the voices driving our industry forward. Do you know someone or yourself who is making an impact? At Printed Word Reviews, we want to honor the innovators, advocates, and trailblazers who are transforming the publishing landscape for the better. If you or someone you know is making a significant impact—whether through diverse storytelling, industry reform, or creative leadership—now is the time to give them the recognition they deserve. Nominate a Printed Word Reviews ChangeMaker today and help us celebrate the voices driving our industry forward. NOMINATE a mover & shaker to be recognized: Complete the form to nominate someone who deserves to be recognized for their work in the publishing industry. Nominate your favorite editorial assistant, editor, literary agent, publicist/ publicity, designer, digital marketing manager, social media, blogger, publisher, sales & marketing, special sales, finance, legal, etc. or yourself! We want to know the people making a difference. Each nominee will receive a recognition in the BookCAMP magazine. A recognition ceremony is planned for all nominees during BookCAMP 2027 (NO ENTRY FEE required for the ceremony.) BookCAMP by PWR

Ted Olczak is the president of Printed Word Reviews, and manages the marketing for the Independent Press Award and the NYC Big Book Award. Under the same names, he is the magazine publisher of the awards, and launched a quarterly magazine BookCAMP, which addresses authors and publishers' challenges of book publishing. Olczak is a career-long publishing professional, Master's Degree in Marketing Management in Book and Magazine Publishing from New York University. ABOUT Background Ted Olczak is the president of Printed Word Reviews, a monthly that highlights books, authors and reviews. He publishes the quarterly magazine BookCAMP, which addresses authors and publishers' challenges of book publishing. Olczak is a career-long publishing professional, and earned a Master's Degree in Marketing Management in Book and Magazine Publishing from New York University. Olczak started in the 90's working with book & magazine publishing, and has personally worked with thousands of books, and hundreds of publishers and authors on how to position their book and create successful marketing plans including: Penguin Random House; Simon & Schuster; Readers Digest; Scholastic; Inner Traditions; Macmillan; St. Martin's Press; Weldon Owen; Workman; Chelsea Green; Abbeville (art books); American Express Publishing; Berrett-Koehler (Nonfiction); Charlesbridge (childrens); Chronicle Books; SOHO Publishing (Crime/Mystery); Candlewick (childrens); Dark Horse Comics; Harvard Business Press; Journalstone (Horror); Kensington Books (Young Adult/ Romance); New Harbinger (Psychology/Mental Health); North Atlantic Books (MBS/Cook/lifestyle); Sterling (Publishing arm of Barnes & Noble); Parragon; Osprey (Military); Vertical Inc. (Manga/Lit); Oceanview (Mystery); Viz Media (Manga); etc. His experience includes Independent Book Publishers Association, Independent Press Award, NYC Big Book Award; BookCAMP magazine; Publishers Weekly; National Business/Lifestyle Magazines (FORTUNE, Money, Delta, United, and 14 others); helped New York Magazine create its sister visitor publication IN-New York Magazine; Publisher of New York City Weddingpages for four years, created playbill and newsstand products and later sold business; managed News Communications Tribco's newspaper sales department with over a dozen representatives. Forecasting, budgeting, excellent sales, marketing and event sales track history. Motivated by and interested in "the challenge" & building businesses to succeed. Proud Member of professional organizations including: A note from the publisher Ever since I can remember, I have been searching for stories. The thrill of finding a new narrative—in a comic, a novel, or a real-life event—never fades. When friends and acquaintances started asking me for book advice, I knew exactly what I wanted to do: help others find that next perfect read. But good books start with good ideas, and those authors and publishers making those books. I want to help authors and publishers publish better by providing resources and practical information they find useful. Then for them to find their readers. My recommendations are honest and objective and are meant to help you find exactly what you’re looking for. I’m here to guide you through the myriad of books, and through the publishing process. Let’s publish better and get lost in a good book together! Ted Olczak, Publisher Printed Word Reviews / BookCAMP magazine Ted@PrintedWordReviews.com Feel free to connect with me: https://www.linkedin.com/in/ted-olczak-64a1386/ https://meetings.hubspot.com/tolczak My book recommendations make it into Readers Digest to New York City Times Square Billboards. Ted presented at IPNE conference in February, is a partner member of The Alliance Independent Authors, and sits on the Rights Committee and the Metadata Committee for BISG. https://www.bisg.org/member-directory/ted-ted-printed-word-reviews “You can't wait for inspiration; you have to go after it with a club" —Jack London