Search Results

Book review of The Pits: Life Literally Bit Me in the Ass by Cheryl Edwards . ISBN: < Back The Pits: Life Literally Bit Me in the Ass Cheryl Edwards Memoir, trauma, emotional distress, dog attack, healing Huber House Press LLC Share this review: Copy link Facebook LinkedIn X (Twitter) WhatsApp Pinterest After surviving a brutal dog attack, a resilient woman navigates the harrowing journey of recovery, grappling with trauma, guilt, and the complexities of friendship while striving to reclaim her life and love for animals. Cheryl Edwards's memoir, “The Pits: Life Literally Bit Me in the Ass,” is not for the faint of heart, yet it is utterly essential reading for anyone seeking an unflinching look at the aftermath of severe trauma. What begins as a terrifying, visceral account of a vicious attack by three pit bulls quickly evolves into a surprisingly witty and deeply honest exploration of physical survival, psychological breakdown, and the long, non-linear path to emotional reclamation. The narrative immediately begins with the trauma, detailing the intense pain and frantic struggle to escape her friend’s dogs. Edwards recounts the immediate aftermath: the desperate plea for help from neighbors, the whirlwind of the emergency room, and the initial treatments for life-altering injuries. This section alone serves as a harrowing lesson in survival, highlighting the sheer tenacity required to endure a devastating event. “The Pits” focuses on the recovery process, which dominates the book. Edwards is candid about the physical ordeal—the necessary but agonizing procedures, the reliance on her husband for simple daily tasks, and the slow, frustrating progress of physical therapy. She credits her pre-attack fitness with her survival, adding a layer of poignant irony to the physical setbacks she must now overcome. However, it is the emotional and psychological fallout that provides the memoir’s most profound insights. Edwards grapples with immense guilt and the societal pressure to assign blame, often feeling compelled to defend herself and the dogs' owner while silently wrestling with crushing anxiety and Post-Traumatic Stress Disorder (PTSD). Her journey through therapy, specifically her experience with Acceptance and Commitment Therapy (ACT), is rendered with thoughtful detail, offering readers a realistic glimpse into the hard work of trauma recovery. She expertly contrasts the woman she was—an adventurous dog-lover—with the person she becomes, a survivor forced to reconcile her deep connection with animals with an instinctual, paralyzing fear. Edwards's writing style is accessible, underpinned by a raw, Gen X sense of humor that acts as both a shield and a lifeline. This wit is crucial; it prevents the heavy subject matter from becoming unbearable, allowing moments of dark comedy to illuminate the absurdity of her new reality. Her honesty—about the anger, the resentment, and the exhaustion—is what makes this memoir stand out from more sanitized narratives of overcoming adversity. “The Pits” is a testament to the fact that healing is messy, imperfect, and non-conclusive. The author doesn't promise a return to "normal," but rather an acceptance of a "new normal." This book is highly recommended for anyone who has experienced trauma, for family and friends seeking to understand the inner lives of survivors, and for professionals in the trauma support field. Previous Next

Book review of You Matter, Luma by John R. Miles . ISBN: 978-1636988757 < Back Take me back to https://www.childrensbookwormaward.com/ You Matter, Luma John R. Miles self-worth, belonging, identity, confidence Morgan James Kids Share this review: Copy link Facebook LinkedIn X (Twitter) WhatsApp Pinterest A lonely bunny in a bustling forest discovers her worth, belonging, and voice through the support of her friends and the stories she dares to share. In a world that often measures worth by productivity and “busyness,” John R. Miles’ debut children’s book, “You Matter, Luma,” offers a soul-soothing counter-narrative for the youngest generation. Transitioning from the high-stakes world of corporate leadership and personal development into the gentle realm of picture books, Miles brings his “Mattering Revolution” to the forest floor, creating a story that is as much a hug as it is a lesson. The story follows Luma, a small bunny who lives in a forest vibrating with purpose. Around her, birds chirp with confidence, fireflies dance with rhythmic grace, and ants march with a sense of duty. Against this backdrop of constant movement, Luma feels static and separate. She is the quiet observer, wondering if her smallness equates to insignificance. The narrative arc is paced for children ages 4–8. It begins with Luma’s internal questioning, a feeling many children (and adults) recognize but lack the words to describe. Her mentor-figure, Oliver, introduces the book’s central metaphor: a glowing tree. He reminds her that every towering oak began as a tiny seed, and that “Ideas grow the same way. With care, they take root and bloom.” This sets the stage for Luma’s slow-burn realization that her value is an internal seed, not an external achievement. Miles doesn’t shy away from the reality that self-belief is fragile. In the middle of the book, a literal and metaphorical storm breaks. The contrast between the warm, hopeful glow of Luma’s first “sprout” of confidence and the damp, dark discouragement of the rain is striking. Luma’s reaction to the storm is curling up tight, feeling that her stories and her worth have been washed away, is a poignant moment of vulnerability. It is here that the book shines brightest, showing that “mattering” isn’t a constant state of sunshine, but something that persists even when we feel dampened by life’s circumstances. The support of her friends Zin, Sage, Wren, and Theo all highlight the importance of community in nurturing our individual light. The climax takes place in the heart of a cave, where the atmosphere shifts from the wide, overwhelming forest to an intimate, firefly-lit circle. When Luma finally emerges, she finds the courage to say, “I have a story to tell.” It isn’t just about the words she speaks, it's about the space she finally allows herself to occupy. Here the resolution is particularly empowering. Instead of ending solely on Luma’s success, the book turns the mirror toward the reader. Her next words are her final question: “What’s yours?” This transforms the reading experience from a passive story into an active invitation. It reinforces the core message: mattering is a shared human (or bunny) experience. While the text is reflective and gentle, the manuscript promises high-impact visual contrasts. From the ethereal, dreamlike clouds representing untapped potential to the cozy, firefly-lit cave, the imagery serves to ground Miles’ philosophical concepts in a way that is digestible for a preschool and early elementary audience. “You Matter, Luma” is a vital addition to the “social-emotional learning” (SEL) bookshelf. It successfully distills complex psychological needs: the need to be seen, known, and valued. It teaches children that their voice isn't just a sound, it’s a gift that the world is waiting to receive. Recommended for bedtime reading, classroom discussions on self-esteem, and any child who has ever felt “too small” for a big world. Previous Next

Book review of Grabtown by Sarah P. Blanchard . ISBN: 979-8999692221 < Back Grabtown Sarah P. Blanchard Thriller, mystery, crime, sisterhood, secrets, protection Eagle Ridge Press Share this review: Copy link Facebook LinkedIn X (Twitter) WhatsApp Pinterest In a small town haunted by buried secrets, two estranged sisters confront their family's dark past and the trauma that binds them, as they unravel a chilling murder mystery that threatens their lives and forces them to redefine their bond. Sarah P. Blanchard’s “Grabtown” is a hauntingly atmospheric psychological thriller that proves the past is never truly buried; it’s just waiting for the right person to dig it up. Weaving together the sweltering tension of a 1985 summer with the stark realities of the present day, Blanchard delivers a narrative that is as much about the resilience of the female spirit as it is about a cold-case murder. The story opens with a visceral, high-stakes introduction: twelve-year-old Elena and her sisters are in a shipping container, a desperate gamble for a new life in America. This thread of survival mirrors the internal struggles of the protagonists we meet later: twins Cassie and Ana. Returning to their childhood home in Connecticut following their mother’s death, the sisters expect to find old furniture. Instead, they find a manuscript. Written by their mother’s best friend, AJ Porter, the pages detail a 1985 murder investigation involving a local farmer, Jimmy Desjardins. As Cassie becomes obsessed with AJ’s words, the idyllic veneer of their small town begins to peel away, revealing a rot that stretches from the 80s directly into Cassie's modern-day marriage. The heart of the novel is the evolving bond between Cassie and Ana. Blanchard captures the complexity of twinhood—the shared history, the unspoken resentments, and the fierce, protective love that surfaces when the world turns dangerous. “Grabtown” doesn't treat trauma as a plot point, but as a living character. Whether it is the harrowing journey of Elena or the emotional fallout of Cassie’s discovery regarding her husband, Marsh, the book explores how we carry our scars. The story acts as a bridge between eras, forcing the characters to decide if the truth is worth the destruction it causes. From AJ's moral dilemma in 1985 to Cassie’s modern-day whistleblowing, the “truth” is portrayed as both a burden and a liberation. “Grabtown” is a slow-burning suspense. It avoids the cheap “jump scares” of the genre, opting instead for a deep, emotional resonance that stays with the reader. The climax, a chilling intersection of a historical mystery and a modern-day digital crime ring, is handled with a deft hand, leading to a resolution that feels earned rather than forced. “Grabtown” is ideal for fans of intricate, character-driven mysteries such Kellye Garrett's “Like a Sister,” Liz Moore's “The God of the Woods,” and “The Moonflowers” by Abigail Rose-Marie. “Grabtown” is a powerful reminder that while we cannot change the horrors of the past, we have the power to choose how we walk out of them. Previous Next

Learn more about Xuemo < Back Xuemo Xue Mo Illuminating the Darkness: A Conversation with Ted Olczak I had the great privilege of sitting down with Xue Mo at this year’s London Book Fair. Xue Mo, formerly known as Chen Kaihong, was born in Liangzhou, Gansu province. Among other positions, Xue Mo is a cultural scholar, China's National First-class Writer, and Vice President of Gansu Writers Association. Xue Mo’s best known work is his Desert Trilogy. He dedicated 12 years to writing “Desert Rites”, the first novel in the series. It depicts the life of a typical rural family in China’s western provinces during the second half of the twentieth century. After it was published in 2000, Xue Mo became famous overnight. Following the critical and commercial success of “Desert Rites”, Xue Mo wrote “Desert Hunters”, a multi-character fable set around a watering hole known as the ‘Pig’s Belly Well’. The novel examines the conflict between humans and nature in their struggle for survival. The final novel in the trilogy, “White Tiger Pass”, explores the cultural psychology of people living in western China, and focuses around the lives of three women, Lan Lan, Ying and Yue – characters also encountered in his short story collection, “Selected Stories by Xue Mo”. His works are mainly characterized by the culture of western China and contain the essence of Oriental civilization. He is now focused on the theme of one’s ultimate Transcendence. In our conversation, Xue Mo emphasized that the power of love and wisdom can transform the world. Our conversation, through his translator, unveiled that readers seek happiness and respect through literature and that more published works can lead to a more balanced world. Xue Mo feels that writing can illuminate societal darkness and that cultural reflections are essential for understanding global issues. Despite widespread violence, hope persists in knowledge. In the end, the continued importance of writing, sharing messages, and engaging in conversations can inspire collective action. Here is a clip from our conversation: Ted Olczak: Could you elaborate on your philosophies regarding the relationship between woman and nature? What are the major effects on the world? Xue Mo: The world is engulfed in violence and conflict. Humanity requires a culture and spirit that transcends mere desires and materialism. We need a nurturing spirit akin to that of a mother, yet women often find themselves without a voice in these matters. The power of discourse in our world predominantly resides with men, who tend to favor violence, authority, and success. Consequently, the prevalence of violence and wars persists. Through my artistic endeavors, I aspire to awaken the feminine power within individuals. Since a mother would never send her child into battle; conversely, it is often men who take their sons to war. Thus, when the essence of maternal love becomes the prevailing force in society, the light of peace will descend upon the earth. This motivation drives me to write about feminine power—to ignite love within every heart. When love and wisdom become dominant forces globally, humanity will experience tranquility and happiness. Therefore, much of my writing centers on themes of love and wisdom. My readers are those who do not endorse violence but instead embody compassion and insight. It is my hope that both my readers and the broader world embrace these values—this aspiration was one reason why I go outside of China. Xue Mo emphasized that there is so much violence in the world, and his message of Love & Wisdom is an important one. Xue Mo: When human beings are valued by the world, the world will follow it. Although my works are not numerous, they are like a pile of fire in the darkness. When more books are published, we are balanced and the world will become more balanced. Ted Olczak: I think that's important, just like the 20th century writer Jack London, in The Call of the Wild , tells man against nature, so how we think about that in American terms, his influences in his book and how he thinks, how he reveals the relationship between woman and nature , and bring that out in the article. CULTURAL REFLECTIONS & GLOBAL PERSPECTIVE Ted Olczak: Does he think humans can receive the light of love and wisdom? Xue Mo 's Translator: He thinks they can. Xue Mo: Although most of my publications are [fiction], it can light a candle, like a starlight, it can light the darkness [in the] world. Ted Olczak: So does Xue Mo feel through his writings that he can show the light and the power of love and wisdom? And his wish to enlighten people, why would cultures see the wisdom in that? Why would people choose [love & wisdom] when there's so much glorification of violence and conflict and it's promoted by leaders in the Western world. How is his message of love and wisdom going to influence that darkness? Xue Mo: China has excellent culture that has never been able to come out. China's excellent culture has no voice in the world. This kind of discourse power is controlled by the West. But it is like a lighthouse in the dark sea. It cannot dispel the darkness, but it can bring hope. HOPE AMIDST DARKNESS Ted Olczak: Is he fearful of how the current violence is taking over the country? Does he feel that there's hope that people will receive this message? And does he see an event that could change this? Xue Mo: I can't change the world, but I can change my readers. Since the way we perceive the world through our minds shapes the reality within our mind. When our perspectives shift, the world transforms accordingly. When more of my readers change their minds, their world changes. If everyone becomes a reader and changes their mindset, the world will transform. Ted Olczak: Knowledge is power. (Translator: You're already changing yourself, ha ha). What's next? Xue Mo: I will definitely continue to write. And definitely you can influence all the people in your group. Just one light, one candle lighting one candle, light another candle…and we can light the world around us. The world is very dark. But our world is full of light. Ted Olczak: Let’s light candles together! Share this article Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back Independent Press Award® Announces 2026 Winners: A Global Celebration of Independent Excellence Reported by Printed Word Reviews The Independent Press Award (IPA), one of the world’s most prestigious honors for independent authors, publishers, and illustrators, has officially unveiled its 2026 winners. The announcement marks a landmark year for the program, showcasing a diverse array of literary talent from across the globe. In a year characterized by high-caliber submissions, the 2026 awards saw significant participation from well-established voices and publishing houses spanning North America to Asia. Winning entries hailed from countries including Australia, Canada, Germany, India, Japan, Singapore, the United Arab Emirates, and the United Kingdom, among others. The 2026 winners list features a mix of veteran authors and rising stars. Notable names recognized this year include Brad Feld, Judith Briles, Tony Jeton Selimi, Michael Pronko, Jack Fritscher, PhD, Nate Regier, PhD, Lawrence Kane & Kris Wilder, Greg Broadmore, and Miriam Udel. These authors were selected by a panel of experts from a pool of thousands of entries. The excellence of the independent sector was further highlighted by the inclusion of prestigious publishing houses such as Princeton University Press, Johns Hopkins University Press, Forbes Books, She Writes Press, and the University of California Press. “The 2026 Independent Press Award recipients reflect the incredible momentum within the independent sector,” said Gabrielle Olczak, IPA President and Award Sponsor. “Independent voices are no longer just an alternative; they are leading the way in literary innovation. By highlighting these winners, we are celebrating a global community that refuses to be sidelined and continues to set new benchmarks for excellence.” The winners and distinguished favorites will be officially honored at the annual Awards Dinner on April 25th . The event is part of BookCAMP 2026 , a premier three-day trade show and conference for the publishing industry held in the New York metro area from April 24–26, https://www.ipabookcamp.com/tickets . The gala dinner has already drawn international attention, with over 200 attendees from four continents already registered. The VIP guest list includes prominent figures and newly discovered talent such as Claudia Daher; Sara Fanfarillo; Angela Greenman; Maria Ingstrom; Christopher Johnston; David Knoll; Diana Louise Webb; Laura Muirhead; Ivona Olofsson; Sieglinde C. Othmer; Michaela Riley; Paris Rosemont; Joe Sarkic; Tony Jeton Selimi; JoAnne M Spiller; Dr. Stacker; Nancy W.; and Xue Mo . A limited number of tickets remain available for those wishing to network with the industry’s top independent talent. For those interested in viewing the full list of this year's honorees or purchasing tickets for the upcoming ceremony, please visit: 2026 Winners: independentpressaward.com/2026-winners 2026 Distinguished Favorites: independentpressaward.com/2026-favorites Awards Dinner Tickets: independentpressaward.com/awardsdinner About the Independent Press Award The Independent Press Award (IPA) honors excellence in the independent publishing community. Open to self-published authors, small presses, and university presses worldwide, the IPA celebrates the spirit of independent literary achievement every spring. Beyond the Awards The Independent Press Award is part of a broader ecosystem dedicated to supporting the "indie" literary world. This includes: The Children’s Bookworm Award: A competition specifically highlighting high-quality storytelling in the children’s sector, https://www.childrensbookwormaward.com/ NYC Big Book Award: A fall competition open to all publishers, including the "Big Five." https://www.nycbigbookaward.com/ The GAB TALKS: A popular podcast hosted by Gabby Olczak that provides an inside look at the creative processes of award-winning authors, covering everything from humanitarian issues to art history. https://www.independentpressaward.com/thegabtalks Share this article Copy link LinkedIn Facebook X (Twitter) WhatsApp Pinterest

< Back Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Share this page: PWR eNewsletter Printed Word April 16, 2026 Printed Word Reviews, https://www.printedwordreviews.com/magazine April 2026 - (Early due to BookCAMP 2026) edition - Share the URL with a friend ======================================== IN THIS ISSUE BookCAMP’s Book Fair ALA Preview of PWR’s Award-Winning Authors in Chicago Featured FALCON review by Printed Word Reviews GAB TALKS with author and physician Maria Ingström Interview with the publisher Sponsored Coming Soon ========================== Local librarians, come pick up some award-winning books at BookCAMP’s book fair on Sunday April 26th (open to the general public, benefiting the NJ institutions) https://www.ipabookcamp.com/book-fair Past announcement: https://pix11.com/business/press-releases/ein-presswire/871911337/printed-word-reviews-hosts-the-independent-press-nyc-big-book-awards-and-gives-back-to-the-local-newark-community/ ========================== Join us at ALA 2026!, Booth 4722 at the Printed Word Reviews booth during June 26th-29th. Award-winning authors will be signing books. If you are interested in getting a preview, https://www.printedwordreviews.com/offers/ala ========================== BookCAMP's Book Fair, https://www.ipabookcamp.com/book-fair ========================== Featured Printed Word Review FALCON book review: History / Genealogy Buff? Ghosts in my DNA: Past Lives of Boston After building a life in the Caribbean, a retired science teacher turns genealogist to trace her New England lineage back to the Mayflower and beyond, confronting the unsettling possibility that “blood memory” and inherited DNA have been steering her choices all along. https://www.printedwordreviews.com/bookreviews/ghosts-in-my-dna ========================== ALIEN TRUCKER A hybrid Pleiadian truck driver named Trucker embarks on a perilous mission to find a mysterious pink earth compound essential for saving his stranded crew, navigating the complexities of human society while grappling with his identity and the weight of his quest. https://www.printedwordreviews.com/bookreviews/alien-trucker ========================== Independent Press Award: GAB TALKS with Maria Ingstrom What happens when the one wearing the white coat suddenly finds herself lying restrained in a psychiatric ward? In “Restrained,” physician Maria Ingström shares her raw and unforgettable story of falling into psychosis, being subjected to coercive care, and finding her way back to life and medicine. With both the vulnerability of a patient and the authority of a doctor, she opens a window into a world too often silenced by stigma and shame. https://www.independentpressaward.com/thegabtalks/maria-ingstrom Podcasts will be available at https://www.independentpressaward.com/thegabtalks or subscribe to SPOTIFY (or your favorite service) to listen to our author interviews, https://open.spotify.com/show/1Ek1K0qZPqj4XBKbfMlQJW ========================== A Dangerous Man In a race against time, a former Army intelligence analyst turned 9-1-1 dispatcher must navigate the treacherous world of human trafficking to save a terrified child from a violent shootout, while a relentless vigilante seeks to dismantle the very syndicate that threatens them both. https://www.printedwordreviews.com/bookreviews/a-dangerous-man ========================== Rockstar: Echoes As Kline Thomas, the enigmatic new frontman of Aberdeen, grapples with the weight of his predecessor's legacy and his own demons, he must navigate the treacherous waters of fame, friendship, and the music industry, while a determined young woman named Rayne Harlow fights to carve out her own place in a world. https://www.printedwordreviews.com/bookreviews/rockstar%3A-echoes ========================== Printed Word Reviews Interviews Ted Olczak, Publisher of Printed Word Reviews, at ALA with Jason Rossi of Globe Pequot, https://youtu.be/MlJ3lHOZLCI ========================== See our magazine on Overdrive via Libby (any local library), 32 global newsstand apps, or at a special event, or https://www.printedwordreviews.com/magazine ========================== Sponsored by the NYC Big Book Awards, https://nycbigbookaward.com/ ========================== (c) 2026 Ted Olczak. Please forward and share this newsletter in its entirety. Connect at https://www.linkedin.com/in/ted-olczak-64a1386/ Previous Next

Get a free 6-month digital subscription to BookCAMP magazine & a BookCAMP 2026 Day Pass Compliments of the Book Industry Study Group (BISG) 1 Get a free 6-month digital subscription to BookCAMP magazine & a BookCAMP 2026 Day Pass 2 This is being offered with no strings attached or obligation to members of the Book Industry Study Group (BISG) Member Benefit First name* Last name* Email* Yes, add me to your mailing list. Choose your benefit(s) Printed Word Reviews - FREE six-month digital subscription $0 BookCAMP by Printed Word Reviews - FREE six-month digital subscription $0 FREE Day Pass to BookCAMP 2026, April 24, 2026, 1pm - 5:30pm $0 Company name Multi-line address Country/Region Address City Zip / Postal code Position Order Now Printed Word Reviews reserves the right to rescind these offers at any time or for any reason.

Learn more about Kellie Kaminskas < Back Kellie Kaminskas "Here With You": A Tender Guide Through Children's Grief, Awarded NYC Big Book Honor Connecticut author Kellie Kaminskas has been honored with the 2024 NYC Big Book Award in the Children's-Death and Dying category for her book, "Here With You." Kaminskas, a graduate of UMASS Amherst UWW with a BA in Creative Writing and English Literature, has crafted a narrative that resonates deeply with readers of all ages, drawing inspiration from her own experiences as a mother. "Here With You" tackles the sensitive topic of grief with a heartfelt and relatable approach, offering solace and understanding to young readers facing loss. Kaminskas' writing reflects her dedication to creating stories that connect with the emotional landscape of her audience, a quality that has earned her this prestigious award. Kaminskas credits her late mother as her greatest inspiration, citing her eight-year battle with cancer as a testament to unwavering strength. "She was the strongest person I ever knew," Kaminskas shares, "and her strength pushed me to conquer every battle thrown my way." This personal connection to loss undoubtedly informs the authenticity and empathy found in "Here With You." She also draws inspiration from the lyrical and boundary-pushing songwriting of Taylor Swift, whose work encourages her to explore creative expression beyond conventional norms. Kaminskas expresses profound gratitude to her son, Preston, who inspires her daily, her supportive boyfriend, Marc, who encouraged her perseverance, and her family, who provided unwavering support. Ultimately, Kaminskas encapsulates her writing's essence in a single word: "Healing." Her work aims to provide comfort and understanding during difficult times, a mission beautifully realized in "Here With You." Share this article Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Book review of So You Want To Be a Marine Biologist by Linda Soules . ISBN: 978-1972766064 < Back Take me back to https://www.childrensbookwormaward.com/ So You Want To Be a Marine Biologist Linda Soules Middle Grade, marine biology, ocean exploration, marine ecosystems Linda Colwell Books Share this review: Copy link Facebook LinkedIn X (Twitter) WhatsApp Pinterest Marine biologists dive into the ocean’s hidden world to discover, document, and defend life in a rapidly changing sea before it’s too late. Linda Soules’s “So You Want to Be a Marine Biologist” serves as an essential, practical primer for middle-grade readers. The book’s primary strength is its ability to balance the inherent wonder of the ocean with the rigorous reality of scientific labor. Soules begins by establishing the high stakes of oceanography: the ocean produces the majority of our oxygen and regulates our climate, yet it remains largely unmapped. She effectively redefines the marine biologist, moving beyond the trope of a simple “ocean lover” to frame them as a vital scientist tasked with managing Earth’s most critical life-support system. Soules categorizes the field into distinct specialties, ensuring readers understand that “Marine Biology” is an umbrella term for a network of roles: monitoring biodiversity and bleaching; exploring high-pressure zones using Remotely Operated Vehicles (ROVs); and managing the intersection of human activity and mangroves/seagrass. A significant portion of the book is dedicated to the instructional “how-to” of the job. Soules meticulously lists the tools of the trade, categorizing them by their function in data collection. The text excels in its “Day in the Life” instructional segment. This section serves as a procedural guide, breaking down the workday into: Briefing: Defining objectives and safety protocols; Observation: Executing transect surveys and fish counts; Documentation: The transition from underwater observation to lab data entry; and Analysis: Understanding how bleaching at a deep-water site dictates future conservation policy. Soules provides a clear-eyed look at the constraints of the profession. She delineates between the public perception (discovery and adventure) and the professional reality (seasickness, equipment failure, and the constant hunt for grant funding). Key instructional features including scientific terms (e.g., transect, hydrophone, bleaching) are introduced in context with clear definitions. Standard operating procedures outline the importance of safe diving, careful note-taking, and mechanical problem-solving. Lastly, the concluding chapters shift from the “what” to the “how.” Soules provides a roadmap for the aspiring scientist, emphasizing that the path begins long before university. She provides actionable pathways, a checklist for the reader, turning abstract interest into a series of “First Steps,” such as keeping a field notebook and practicing snorkeling. By highlighting icons like Sylvia Earle, Jacques Cousteau and Eugenie Clark, Soules connects the reader to a lineage of explorers who combined scientific discipline with a deep, emotional commitment to the sea. “So You Want to Be a Marine Biologist” is an empowering STEM resource. It successfully demystifies a complex field, replacing a “distant dream” with a concrete, actionable career path. It is ideally suited for classroom units on ecosystems or career-focused nonfiction collections, successfully transitioning the reader from a curious observer to an informed aspirant. Previous Next

< Back Beyond the Page: Decoding the London Book Fair 2026 Reported by Printed Word Reviews The London Book Fair (LBF) 2026, held from March 10–12 at the iconic Olympia London, delivered another year of the trade show for rights deals and networking. In addition, it marked a historical pivot for the industry, serving as the launchpad for the National Year of Reading and a battleground for the defining debate of the decade: the “Human-First” AI revolution. With an estimated 30,000 visitors and 1,000 exhibitors, LBF 2026 transformed Kensington into a bustling hub of literary activism and technological forecasting. The fair’s dominant narrative was dictated by the National Year of Reading (themed “Go All In”). Against a backdrop of declining literacy rates and a “reading for pleasure” crisis, industry leaders sent a clear message: books must be treated as a public good, not just a commodity. Joanna Prior, CEO of Pan Macmillan and Chair of the National Literacy Trust, delivered a stirring “Reading Crisis” keynote arguing that the decline in reading is a more immediate threat to the industry than Artificial Intelligence. Tom Weldon, CEO of Penguin Random House UK, outlined a vision for the industry to “seize a once-in-a-generation opportunity” to re-engage the public through schools, libraries, and local communities, with the aim to refill a pipeline of readers. If 2025 was about the fear of Artificial Intelligence, 2026 was about its application. The Tech Theatre was the most crowded corner of the fair, focusing on “Practical AI” that reduces friction in editorial workflows and improves accessibility. In one of the fair’s most talked-about moments, the “Don't Steal this Book” initiative saw 10,000 authors “publish” empty books. This silent protest targeted tech companies using copyrighted works to train Large Language Models without compensation. Audible CEO Bob Carrigan celebrated 20 years in the UK, showcasing how AI-powered alt-text and intelligent sound design are making literature more accessible to the visually impaired and neurodivergent audiences. Other notables were authors Alice Oseman, Jo Nesbo, and Mike Gayle on the continuation of the “YA Boom”; and still readers are craving “human-centric” storytelling. For sustainability, Mary Glenn (UN Publications) maintained that decarbonizing the supply chain is no longer optional; Net Zero by 2040 is the target. In the area of emerging voices, Sanjee de Silva (Sweet Cherry) offered a poignant reminder that independent presses are at the forefront of regional and diverse representation for emerging voices. As the fair concluded, three trends emerged that will likely dominate the global publishing circuit through 2027: Publishers are moving away from “AI-generated content” and toward AI-supported production (automated metadata, alt-text for images, and rights management). A significant focus on Georgian literature and indigenous languages (Gaelic, Welsh, Irish) signaled a shift toward hyper-localism in a globalized market. Led by the UN, there is a renewed push to use books as tools for climate literacy, ensuring that sustainability isn't just about paper and ink, but the content itself. LBF 2026 proved that while the tools of the trade are shifting toward silicon and code, the heartbeat of the industry remains the “human-first” connection between an author and a reader. Share this article Copy link LinkedIn Facebook X (Twitter) WhatsApp Pinterest

Ted Olczak is the president of Printed Word Reviews, and manages the marketing for the Independent Press Award and the NYC Big Book Award. Under the same names, he is the magazine publisher of the awards, and launched a quarterly magazine BookCAMP, which addresses authors and publishers' challenges of book publishing. Olczak is a career-long publishing professional, Master's Degree in Marketing Management in Book and Magazine Publishing from New York University. ABOUT Background Ted Olczak is the president of Printed Word Reviews, a monthly that highlights books, authors and reviews. He publishes the quarterly magazine BookCAMP, which addresses authors and publishers' challenges of book publishing. Olczak is a career-long publishing professional, and earned a Master's Degree in Marketing Management in Book and Magazine Publishing from New York University. Olczak started in the 90's working with book & magazine publishing, and has personally worked with thousands of books, and hundreds of publishers and authors on how to position their book and create successful marketing plans including: Penguin Random House; Simon & Schuster; Readers Digest; Scholastic; Inner Traditions; Macmillan; St. Martin's Press; Weldon Owen; Workman; Chelsea Green; Abbeville (art books); American Express Publishing; Berrett-Koehler (Nonfiction); Charlesbridge (childrens); Chronicle Books; SOHO Publishing (Crime/Mystery); Candlewick (childrens); Dark Horse Comics; Harvard Business Press; Journalstone (Horror); Kensington Books (Young Adult/ Romance); New Harbinger (Psychology/Mental Health); North Atlantic Books (MBS/Cook/lifestyle); Sterling (Publishing arm of Barnes & Noble); Parragon; Osprey (Military); Vertical Inc. (Manga/Lit); Oceanview (Mystery); Viz Media (Manga); etc. His experience includes Independent Book Publishers Association, Independent Press Award, NYC Big Book Award; BookCAMP magazine; Publishers Weekly; National Business/Lifestyle Magazines (FORTUNE, Money, Delta, United, and 14 others); helped New York Magazine create its sister visitor publication IN-New York Magazine; Publisher of New York City Weddingpages for four years, created playbill and newsstand products and later sold business; managed News Communications Tribco's newspaper sales department with over a dozen representatives. Forecasting, budgeting, excellent sales, marketing and event sales track history. Motivated by and interested in "the challenge" & building businesses to succeed. Proud Member of professional organizations including: A note from the publisher Ever since I can remember, I have been searching for stories. The thrill of finding a new narrative—in a comic, a novel, or a real-life event—never fades. When friends and acquaintances started asking me for book advice, I knew exactly what I wanted to do: help others find that next perfect read. But good books start with good ideas, and those authors and publishers making those books. I want to help authors and publishers publish better by providing resources and practical information they find useful. Then for them to find their readers. My recommendations are honest and objective and are meant to help you find exactly what you’re looking for. I’m here to guide you through the myriad of books, and through the publishing process. Let’s publish better and get lost in a good book together! Ted Olczak, Publisher Printed Word Reviews / BookCAMP magazine Ted@PrintedWordReviews.com Feel free to connect with me: https://www.linkedin.com/in/ted-olczak-64a1386/ https://meetings.hubspot.com/tolczak My book recommendations make it into Readers Digest to New York City Times Square Billboards. Ted presented at IPNE conference in February, is a partner member of The Alliance Independent Authors, and sits on the Rights Committee and the Metadata Committee for BISG. https://www.bisg.org/member-directory/ted-ted-printed-word-reviews “You can't wait for inspiration; you have to go after it with a club" —Jack London

Book review of Hunger by Nihaarika Negi . ISBN: 978-1964226088 < Back Hunger Nihaarika Negi The Lab Press Share this review: Copy link Facebook LinkedIn X (Twitter) WhatsApp Pinterest Filmmaker Negi and artist Bocardo craft a grotesque colonial horror story set in 1896 Bombay, following a mutant test subject named Izna as she navigates a hallucinatory landscape of sadistic British experiments and embraces her own supernatural hunger. If most horror stories are about the fear of losing one’s humanity, Nihaarika Negi’s “Hunger” is about the terrifying necessity of shedding it to survive. Published by The Lab Press, this is a towering achievement in "prestige horror," a book that is as intellectually demanding as it is viscerally revolting. Set in British-occupied Bombay during the 1896 bubonic plague, the story centers on Izna, a famine survivor who is treated less like a patient and more like biological scrap. Negi intertwines historical atrocity with supernatural folklore. By introducing the Pisach, a flesh-eating demon from Indian mythology, the book suggests that the British Empire didn't just bring "civilization"; it brought a spiritual parasite that fed on Indian soil and souls alike. The central conflict is a masterclass in tension. Izna’s transformation into a mutant-monster isn't just a "superpower" origin story; it is a grim trade. She gives up her soul to gain the teeth necessary to bite back at an empire that is literally devouring her people. The collaboration between Joe Bocardo and José Villarrubia is nothing short of haunting. Bocardo captures the skeletal reality of the famine camps with a stark, unflinching line. When the horror turns supernatural, his designs for the "mutants" are grotesque, wet, and genuinely unsettling. Legendary Villarrubia uses a color palette of decay that feels like a fever dream. The pages are drenched in sickly ochres, bruised purples, and a deep, arterial red that feels heavy on the reader's mind and skin. This is not "fun" horror. It is furious horror. Negi uses the character of William Wallace Hooper, a real historical figure known for his cold, clinical photography of famine victims, to critique "the gaze." The book argues that documenting suffering without intervening is a form of violence. In “Hunger,” the camera is as much a weapon as a bayonet. Watching Izna reclaim her image by becoming a monster that the camera can barely capture is one of the most satisfying, albeit bloody, arcs in recent graphic fiction. “Hunger” is a difficult, beautiful, and essential read. It sits in the same rarified air as works like “Infidel” or “The Low, Low Woods,” using the genre to excavate traumas that history books often gloss over. It is a story of revenge, but it’s also a story of what remains after you’ve been stripped of everything except your appetite. Negi hasn't just written a horror comic; she’s written a manifesto in blood. It is a reminder that the most dangerous thing in the world is a person who has been told they are nothing, and finally decides to agree, with teeth. Best for fans of: “The Terror” by Dan Simmons, “Kill Bill,” post-colonial theory, and high-art horror that isn't afraid to get its hands very, very dirty. Previous Next