Book review of Bellosio: An Age of Miracles by John F Shekleton . ISBN: < Back Bellosio: An Age of Miracles John F Shekleton Sci-fi, Fantasy Mo Keijuk Press Share this review: Copy link Facebook LinkedIn X (Twitter) WhatsApp Pinterest In a world where three intelligent primate species vie for power, a young princess must navigate treachery and alliances to reclaim her throne and save her empire from impending war. John F. Shekleton’s "Bellosio: An Age of Miracles" is an epic fantasy that dives the reader in a world where destiny and divinity collide. Set on the planet Bellosio, the world-building story begins by introducing the creator "Cog" and the three intelligent primate species it has nurtured. This foundation sets the stage for a period of political turmoil, intellectual doubt, and looming threats that challenge the very fabric of their society. The narrative intertwines the journeys of several key characters. At the center is Princess Danaba, whose life is upended by an assassination attempt and a father paralyzed by grief. Forced to confront her destiny, she transforms from an uncertain heir into a fierce warrior princess. Her struggles are mirrored by Undiro, a mystical abbot who must navigate the political chaos of the capital while grappling with the potential "Great Withdrawal" of the Cog's power. The rising action is a complex dance of alliances and betrayals, as characters like the scheming Count Selwin and the enigmatic Bordor, a youth with special abilities, work to shape the empire's future. The book’s climax is a series of strategic maneuvers and intense battles that culminate in a dramatic confrontation. Danaba proves her worth on the battlefield, leading an assault to reclaim her home, while Bordor rises to a position of power, poised to lead his faction into a new era. The resolution finds Danaba, now empress, facing the daunting task of rebuilding the empire and forging new alliances. The story concludes with a sense of hope, as the characters embrace their destinies and look toward a new, unified future. Overall, "Bellosio: An Age of Miracles" is a blend of political intrigue, mystical elements, and character development. For the patient reader, this high fantasy novel is a rewarding read for those who appreciate more complex themes. Previous Next

< Back Hachette Book Group Launches Children's Reading Initiative July 30, 2026 at 5:47:35 AM Global publisher Hachette Book Group launched a new children’s reading initiative last week to combat the global decline in kids reading. The initiative is titled “Raising Readers,” and was launched both as a public service announcement and as a broader project with the involvement of over 50 collaborating book and publishing companies. “Raising Readers is Hachette’s urgent and long-term campaign to raise awareness of the decline in number of children reading for fun and encouraging everyone to make reading for enjoyment part of children’s daily lives,” the initiative’s webpage states . “This campaign aims to raise awareness that reading for fun is the single biggest predictor of a child’s future success. It impacts academic results, mental health, wealth, communication skills and ambition.” Children’s readership has broadly declined in recent years. In 2026 alone, numerous media reports have written about the decrease; the company’s press release references a June report by the U.S. Department of Education National Center for Education Statistics , which found that reading for fun among 13-year-olds has declined by nearly half since 2012. Hachette’s public service announcement, posted to the company’s YouTube page last Tuesday, encourages both kids and parents to step away from the noise of social media and immerse themselves instead into books together. In it, a young girl sits absorbed in her phone, scrolling through fast-paced text messages about social media posts. Her father comes into her room and drops off a book for her, asking her if she wants to take a break. “FYI, I’m more than a break,” a voice emanating from the book says after a beat. “I can take you on an adventure, crack you up, and inspire you. Come on, take a look.” Hachette wrote in a press release that, “Reading to a child for just 10 minutes changes their life.” The initiative includes a pledge for parents and children to commit to reading every day. Hachette encourages all members of the book industry, including its own authors, to get involved. Letters from authors who write for adults will be printed at the back of Hachette-published books to share “the importance of encouraging a child’s lifelong love of reading.” Partners of the Raising Readers project include a variety of collaborators, from national groups like PEN America, to publishers Penguin Random House and Macmillian, to major bookseller Barnes & Noble, as well as smaller organizations like the Brooklyn Book Bodega in New York City and the independent Little Blue Pigeon bookstore in Denver, Colorado. Printed Word Reviews / Reported by Jules Roscoe Share this article Copy link LinkedIn Facebook X (Twitter) WhatsApp Pinterest

Book review of Your Crystal Allies: The 12 Best Gems & Minerals for Making Money & Managing Resources, Book Three by Tracee Dunblazier . ISBN: 978-0999362358 < Back Your Crystal Allies: The 12 Best Gems & Minerals for Making Money & Managing Resources, Book Three Tracee Dunblazier Self-help: Spiritual GoTracee Publishing Share this review: Copy link Facebook LinkedIn X (Twitter) WhatsApp Pinterest In "Your Crystal Allies," Tracee Dunblazier guides readers through the transformative power of twelve specific crystals, blending scientific insights, personal anecdotes, and practical applications to enhance prosperity and resource management in their lives. "Your Crystal Allies: The 12 Best Gems and Minerals for Making Money and Managing Resources, Book 3" is a comprehensive guide for both beginners and experienced practitioners interested in the use of crystals for enhancing various aspects of life, particularly in making money and managing resources. Written by Tracee Dunblazier, the book delves into the properties and uses of twelve specific gems and minerals, providing readers with scientific information, detailed illustrations, practical applications, and personal anecdotes to help them connect with these powerful stones. The book begins with a foreword by Najah Lightfoot, who shares her personal experiences with crystals and the profound impact they have had on her life. She describes the book as a mystical journey that combines powerful imagery with channeled messages from the crystals themselves. Lightfoot highlights the practical advice Dunblazier offers, including alternative rocks for rituals and grid work, making the book accessible to those who may not have access to specific crystals. The introduction discusses the balance of life and the journey from survival to prosperity consciousness. In each chapter, Dunblazier explains how crystals can help individuals understand and manage their resources, including mental, emotional, spiritual, and physical assets. The book aims to expose readers to the perfect crystal allies to help them witness their ingrained patterns and make necessary changes. Throughout the book, Dunblazier emphasizes the importance of developing a personal relationship with each crystal. She encourages readers to spend time with their crystal allies, understanding their unique vibrations and properties. The book provides detailed instructions on how to care for and use each crystal, including cleansing methods and suggestions for incorporating crystals into daily life. Dunblazier's expert exploration of the profound connection between individuals and various crystals, focusing on their healing properties, historical significance, and personal experiences with them, makes "Your Crystal Allies" a valuable resource for anyone interested in crystal healing, whether they are beginners or experienced practitioners. Previous Next

Learn more about Eric Goebelbecker < Back Eric Goebelbecker When Mars Attacked, and the World Fought Back: Inside Eric Goebelbecker's "The Great War of the Worlds" H.G. Wells’ The War of the Worlds etched an indelible image into the global consciousness: towering Martian tripods laying waste to Victorian England, only to be vanquished by the humblest of Earth's inhabitants – bacteria. But what if the story didn't end there? What if humanity, scarred but unbowed, salvaged the alien technology and incorporated it into its own brutal conflicts? This is the chilling premise that Eric Goebelbecker explores in his "The Great War of the Worlds" series, a compelling alternate history that transforms the horrors of World War I into an even more terrifying, technologically twisted global conflict. Goebelbecker’s series is a "what if" scenario that reimagines the early 20th century through the lens of a successful, though ultimately repelled, Martian invasion. The year is 1914, and the storm clouds of war are gathering over Europe, just as they did in our history. However, this isn't the Great War we know. The trenches are deeper, the stakes higher, and the weapons… unfathomably more destructive. Humanity, having harvested and clumsily reverse-engineered Martian technology, now wields its own versions of heat rays, black dust, and even formidable land-ironclads that evoke the dread silhouette of the original tripods. The trauma of the invasion hasn't united mankind in a peaceful utopia; instead, it has intensified national rivalries and accelerated a terrifying arms race, pushing the world to the brink of an unprecedented, apocalyptic conflict. While the narrative scope is vast, Goebelbecker grounds his storytelling in visceral, often brutal detail, focusing on the human experience amidst the chaos. Goebelbecker builds upon Wells with reverence. The Martians remain genuinely alien and terrifying, their original invasion serving as a catalytic event rather than a mere plot device. The lingering fear of their return is a constant, palpable threat. Moreover, this isn't whimsical steampunk. This is "Tripod-punk" or "Dieselpunk" at its finest – a world drenched in the grime, blood, and industrial horror of World War I, intensified by the alien weapons. The technology feels clunky, dangerous, and imperfect, reflecting humanity's desperate struggle to comprehend and control what it has found. Despite facing an external alien threat, Goebelbecker's most poignant observation might be that humanity’s capacity for self-destruction remains undimmed. The series powerfully explores how even the most profound shared trauma can fail to overcome deeply ingrained political and nationalistic divisions. "The Great War of the Worlds" is a thought experiment in the darkest corners of human ingenuity and conflict. It asks us to consider the terrifying implications of advanced technology in morally compromised hands and the endless capacity for war, even when faced with a common enemy from the stars. For fans of alternate history, military science fiction, and those who ever wondered what would truly happen if Mars attacked, Eric Goebelbecker's series offers a brutal, captivating, and utterly unforgettable journey into a world forever changed by the ultimate invasion. Share this article Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back Book Adaptation Rights Market Coming to Venice July 3, 2026 at 8:22:55 AM The Venice Production Bridge , a popular festival and conference for film and TV production, will host its eleventh annual Book Adaptation Rights Market this September to drive networking opportunities between publishers and producers. Book adaptations are an increasingly popular way of creating new film productions. Netflix, for example, reported in 2025 that its book-based titles had over nine billion global views . “As demonstrated by the growing presence of literary adaptations at major international festivals and on global streaming platforms, adaptations are no longer an exception but a central component of the contemporary content landscape,” the Market’s brochure reads. The Market will host 30 publishers, publishing houses, and literary agents, from nine different countries this year. They will showcase their catalogues and network with production companies to potentially drive film and TV adaptations of books. Around 1,400 producers will be attending. Pascal Diot, the head of the Venice Production Bridge, said in a phone call that the unique part of the Market is that publishers come with a variety of books, not just one or two offerings. This allows producers to get a feel for the publisher as a whole, and to develop longer-term relationships. “It’s a win-win situation for both the producers and the publishers, because automatically the publisher has to know exactly what the producer is looking for, what kind of things he's interested in, and he will always have something to propose to him,” Diot said. When selecting publishers, the organizers always aim for variety. “Quality is always the first thing,” Chiara Marin, the Market’s coordinator, said. “Then of course, we try to maintain a balance between countries and also between genres.” “We also try to get a balance between big publishing groups and smaller ones,” Diot said. “We have, of course, big publishing countries like France, Italy, Germany, but we are also taking some small countries like Georgia, or Greece, or Taiwan, in order to give the producer also an opportunity to see other cultures.” The Market will run from September 4 to September 6, 2026, in Venice, Italy. Options for book adaptations can take multiple years to be legally nailed down, so deals aren’t always directly made there, but numerous projects have come out of it in the past. “ With this kind of programs, maybe they start here to speak with them, and then they develop over the years. So it’s always a little harsh to say they signed it here,” Marin said. “But at least they get in touch for the first time here.” Printed Word Reviews / Reported by Jules Roscoe Share this article Copy link LinkedIn Facebook X (Twitter) WhatsApp Pinterest

Learn more about Kathryn Troutman < Back Kathryn Troutman Kathryn Troutman author signing at ALA Transitioning Your Federal Resume to Private Industry A Step-by-Step Guide Kathryn Troutman, Author PRINT BOOKS ARE HERE! The first-ever book on editing and re-formatting your Federal resume into a 2-page private-industry resume. 8 Steps to Prepare for Your New Career: Find and Update Your Federal Resume Find a Target Job Announcement Write Your Top Three Accomplishments Make a Keyword List with Microsoft Copilot or ChatGPT Does your Resume Match the Target Position? Create Your Two-Page or Three-Page Private Industry Resume Write Your One-Page Cover Letter Update Your LinkedIn 7 full case studies with sample Federal and private industry resumes! Kathryn Troutman founded the Resume Place, the United States’ first Federal resume writing and coaching business, more than 30 years ago. She is the pioneering designer of the Federal Resume format, created after the Federal government eliminated the SF-171 form in 1995. In January 2002, she created the Ten Steps to a Federal Job® method after 9/11 created massive interest in Federal positions to help protect America. In 2022, the National Resume Writers Association recognized Kathryn’s “significant contributions” to the field of Federal resume writing and presented her with NRWA’s Industry Hero Award. The Hero Award is given to career service providers who promote excellence, advance industry standards and are passionate about their work. With Kathryn’s team of 20 Certified Federal Resume Writers, the Resume Place now advises and writes more than 300 Federal resumes per month for military, private industry and Federal clients worldwide. Her Resume Place SES writers have written and consulted on Senior Executive Service ECQs with a 95% success rate over the last five years for the Veterans Administration and Veterans Executive Review Board. Share this article Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Learn more about Jessica Bantom < Back Jessica Bantom Jessica Bantom author signing at ALA Design For Identity: How to Design Authentically for a Diverse World Design is expression, a service, an act of creativity. But if designers design for everyone, how can there be so little diversity in the profession? In this book, Jessica Bantom examines the implications of design in everyday life, from spaces and products to images and the fashion industry. Too often design concepts are based on assumptions and stereotypes that don't necessarily reflect customers' lives and values. Certain company symbols and brands, such as the image of Aunt Jemima, have stirred controversy for years but only recently has there been a corporate social awakening. The demographics of our society are changing and becoming more diverse, yet different perspectives are often ignored unless there's fallout from public backlash. Bantom explores the concept of human-centered design that taps into an understanding of identity: how people live, what's important to them, and what informs their perspectives and experiences. Engaging directly with customers to identify their challenges and working with them to test ideas and solutions is the foundation of human-centered design. It's vital for businesses to get on board and change outdated mindsets if they want to be successful. Bantom has been recognized as a Distinguished Favorite in multiple categories by both the NYC Big Book Award and Independent Press Award. Jessica Bantom is a Diversity, Equity, Inclusion & Belonging (DEIB) practitioner and workplace strategist who helps develop customized strategies for organizations that bring about transformational change. A compelling speaker, certified facilitator, and coach, Bantom seeks to enable people and organizations to reach their full potential and actualize the values of inclusion and belonging no matter what position they hold. Jessica is also active in the interior design industry as an interior design and color consultant and as a DEIB champion committed to promoting meaningful change in the profession. Bantom’s career is informed by her ongoing dedication to exploring the intersection of design and diversity. Jessica completed her master’s degree in Interior Design at Marymount University in Arlington, Virginia, and obtained her bachelor’s degree at the University of Virginia in Charlottesville, where she also completed a specialization in Design Thinking and Innovation from Darden Executive Education. At Georgetown University, Jessica received credentials as a Change Management Advanced Practitioner (CMAP), and she is certified as an Associate Diversity Coach through the CoachDiversity Institute in collaboration with the Howard University School of Business. She holds a certificate in Diversity and Inclusion from Cornell University. In addition, Jessica is certified by Veritas Culture as a Culture Facilitator and Diversity & Belonging Facilitator, and is also a Certified Change Management Professional (CCMP) and Prosci Certified Change Practitioner. A proud member of Zeta Phi Beta Sorority, Incorporated, Jessica is a long-time resident of the Washington DC area, although she will always call Philadelphia home. Share this article Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back Digipalooza 2025 Preview: Charting the Future of Digital Libraries August 12, 2025 at 7:34:37 AM Cleveland, OH – August 12, 2025 – The digital landscape of libraries is continuously evolving, and at the forefront of this transformation is Digipalooza 2025 , OverDrive's highly anticipated bi-annual international user group conference. Kicking off today in Cleveland, Ohio, this three-day event, running from August 12-14, promises to be a vital gathering for public, school, and college librarians, as well as industry experts and thought leaders passionate about digital media and the future of library services. Hosted at the Huntington Convention Center of Cleveland and extending to OverDrive's Blue Sky Campus for select events, Digipalooza 2025 is designed around three core pillars: Innovation, Inspiration, and Collaboration. Attendees will delve into new strategies and cutting-edge technologies that are shaping digital libraries, draw inspiration from renowned figures and fellow professionals, and engage in collaborative discussions to share best practices. A major highlight of Digipalooza 2025 is its stellar lineup of keynote speakers. Attendees will have the privilege of hearing from #1 New York Times bestselling author Jason Reynolds and the immensely talented writer, narrator, and actress Julia Whelan (whose “ My Oxford Year” just released on August 1st on Netflix ) . Their insights are sure to provide a captivating and thought-provoking start to each day's proceedings. The conference programming is solid and diverse, offering sessions that address critical topics facing modern libraries. Librarians will explore effective strategies for expanding literacy through inclusive library programs, learning how to make digital content accessible and engaging for all patrons. The sessions will also cover techniques for engaging readers in a digital era, with a focus on personalized marketing and innovative content curation to maximize digital circulation. Furthermore, attendees will gain valuable knowledge in data-driven collection development, equipping them with the tools to analyze trends, manage budgets effectively, and build dynamic digital collections that truly meet community needs. Interactive discussions with Libby and Kanopy customers and industry experts will provide practical insights and foster a sense of shared learning. Beyond the insightful sessions, Digipalooza 2025 offers networking opportunities. Select librarians from thousands of public libraries, colleges, universities, and corporations across multiple countries will converge, creating a rich environment for connecting with peers, exchanging ideas, and forging invaluable professional relationships. Adding to the excitement are a series of special events designed to foster connection and celebration. The conference kicks off with a welcoming reception at OverDrive's picturesque Blue Sky Campus, providing a relaxed atmosphere for initial networking. The much-anticipated "Digipalooza Party" will take place at the iconic Rock & Roll Hall of Fame , promising an unforgettable evening of entertainment and camaraderie. The exhibit area also promises to be a bustling hub, showcasing the latest innovations from various exhibitors and sponsors within the publishing and library technology industries, offering attendees a glimpse into the tools and services that can further enhance their digital offerings. Digipalooza 2025 conference is a valuable opportunity for professional development, providing librarians with actionable insights, inspiring success stories, and practical tools to navigate and thrive in the ever-evolving digital landscape. As the event gets underway today, the library community looks forward to an enriching experience that will undoubtedly help shape the future of digital libraries worldwide. See more at: https://www.digipalooza.com/ . Printed Word Reviews is excited to be covering this event, as we look forward to our own BookCAMP 2026, www.ipaBookCAMP.com . Reported by Printed Word Reviews Share this article Copy link LinkedIn Facebook X (Twitter) WhatsApp Pinterest

< Back Quiver, don’t Quake June 3, 2026 at 5:49:03 AM [PWR note: BookCAMP 2026, https://pwrbookcamp.com/ Keynote Nadim Sadek spoke about AI as an enhancement rather than a replacement for human creativity. Here’s his take.] A reader who picks up a book a month, every month, from twenty to seventy, will finish around six hundred titles in a lifetime. Six hundred: roughly 0.0006% of every book ever published in English. We have built, between us, the most magnificent library in human history, and almost none of it will ever be opened. That is the ache at the centre of publishing today: superabundance, with too little discoverability to match it. I spoke about this in New York [BookCAMP 2026] recently, and I want to be clear about where I stand. I am not a blind apologist for artificial intelligence. Many fears around it are entirely legitimate, and we correctly pay attention to them. De-skilling, as we hand our cognitive muscles to a machine. Homogenisation, as a thousand voices flatten into one statistical average. And the soulless, generic content we have learned to call spot and dismiss as ‘slop’. These are real anxieties, and deserve our vigilance. There is, though, a more generous story available to us, and it begins with a simple observation: every human on Earth is born creative. The majority have simply never had the chance to express it. Eight billion of us, carrying feelings, philosophies, politics and art-forms that have never found their voice… What happens when they finally do? This is where I portray AI as an ally rather than a replacement. I call it Allied Intelligence: something that works alongside us, complementing our strengths and compensating for our weaknesses, while the final judgement rests uniquely with us, applying our feeling and thinking to it. The machine can draft, iterate, format and research at extraordinary speed. The human still feels, dreams, imagines, and makes meaning from experience. No model can replicate that: it is the irreducible gift we have, given our morphology and psychology. Creativity has always required craft, and craft has always been something to be mastered. Van Gogh was initially spurned. Digital photography was dismissed at its advent. The electric guitar was treated as a curiosity, shameful to many. We habituate only slowly to every new instrument, then often wonder how we ever managed without it. AI is simply the latest emancipator and ‘voice’ of our creativity, and like the others that came before it, it rewards those who treat it as a partner in dialogue, not a vending machine for answers. So I would offer publishers and authors one principle above all: Calibrated Trust. Lean on the analytical power, the vast information, the rapid pattern recognition. Then verify every fact, question every specific, and trust your own taste absolutely. You are the director. You make the final cut. Let’s count our gut-instinct, our visceral responses, and our ability to think through things as the final arbiters. The danger we should watch out most for is our own passivity: over-relying, drifting towards the generic, losing the “why” that made the work ours in the first place. The remedy is to keep feeding the machine our eccentricity, our idiosyncrasy, our stubborn particular selves. Truly, the more you give in this relationship with AI, the more you get. We stand at a threshold, with eight billion hearts ready to find their voice. The question I carried home from New York is the one I leave with you now. Will you quiver… or quake? © Nadim Sadek These thoughts and many others flowing from there are explored in my latest boo, ‘Quiver, don’t Quake – how Creativity can Embrace AI’, found on Amazon and other platforms, as paperback, e-book and audiobook. Printed Word Reviews / Reported by Nadim Sadek Share this article Copy link LinkedIn Facebook X (Twitter) WhatsApp Pinterest

Ted Olczak is the president of Printed Word Reviews, and manages the marketing for the Independent Press Award and the NYC Big Book Award. Under the same names, he is the magazine publisher of the awards, and launched a quarterly magazine BookCAMP, which addresses authors and publishers' challenges of book publishing. Olczak is a career-long publishing professional, Master's Degree in Marketing Management in Book and Magazine Publishing from New York University. Proud Member of professional organizations including: Printed Word Reviews EN ESPAÑOL Spanish Book Reviews: https://www.printedwordreviews.com/spanish-book-reviews Bilingual Edition in honor of Hispanic Heritage Month listed above Next Bilingual Edition November 2026, https://www.printedwordreviewsenespanol.com/ Fernando Cordero es Director Creativo con más de 28 años de experiencia en los sectores editorial, diseño gráfico, marketing, entretenimiento, eventos en vivo, giras, medios de comunicación y desarrollo de marcas. Cordero cuenta con una amplia experiencia trabajando dentro de los mercados de medios, entretenimiento y cultura de habla hispana y latina. A lo largo de su carrera, su trabajo creativo y promocional ha incluido proyectos con Sony Music, Univision, Telemundo, Spanish Broadcasting System (SBS), así como campañas nacionales e internacionales de entretenimiento con artistas como Marc Anthony, Rubén Blades, El Gran Combo de Puerto Rico y Bad Bunny, a través de 410 Grand Management. Su trayectoria también incluye trabajo con destacadas organizaciones culturales y teatrales latinas, entre ellas Pregones/Puerto Rican Traveling Theater, además de proyectos vinculados con la legendaria actriz y promotora de las artes Míriam Colón. Su carrera se ha desarrollado constantemente en la intersección entre la industria editorial, los medios hispanos y de habla hispana, la programación cultural, el entretenimiento, el branding, el marketing y la producción; experiencia que ahora aporta a las iniciativas de expansión de Printed Word Reviews dirigidas a autores, editoriales y comunidades literarias de habla hispana en Estados Unidos y a nivel internacional. Fernando Cordero is a Creative Director with more than 28 years of experience spanning across publishing, graphic design, marketing, entertainment, live events, touring, media, and brand development. Cordero brings extensive experience working within the Spanish-language and Latino media, entertainment, and cultural markets. Throughout his career, his creative and promotional work has included projects with Sony Music, Univision, Telemundo, Spanish Broadcasting System (SBS), and national and international entertainment campaigns involving artists including Marc Anthony, Rubén Blades, El Gran Combo de Puerto Rico, and Bad Bunny through 410 Grand Management. His background also includes work with prominent Latino cultural and theatrical organizations, including Pregones/Puerto Rican Traveling Theater, as well as projects associated with legendary actress and arts advocate Míriam Colón. His career has consistently operated at the intersection of publishing, Hispanic and Spanish-language media, cultural programming, entertainment, branding, marketing, and production—experience he now brings to Printed Word Reviews’ expanding initiatives serving Spanish-speaking authors, publishers, and literary communities in the United States and internationally. Ted Olczak is the president and publisher of Printed Word Reviews, a monthly that highlights books, authors and reviews. He publishes the quarterly magazine BookCAMP, which addresses authors and publishers' challenges of book publishing. Olczak is a career-long publishing professional, and earned a Master's Degree in Marketing Management in Book and Magazine Publishing from New York University. Ted most recently presented at the International Dublin Writer's Festival in August 2026, and at IPNE conference in February 2026, is a partner member of The Alliance Independent Authors, and sits on the Rights Committee and the Metadata Committee for BISG. https://www.bisg.org/member-directory/ted-ted-printed-word-reviews Find out more about Olczak at https://www.linkedin.com/in/ted-olczak-64a1386/ A CERCA DE PRINTED WORD REVIEWS Printed Word Reviews, https://printedwordreviews.com/ , es una publicación internacional impresa y digital dedicada a críticas literarias detalladas, completas y honestas. La publicación cubre una serie de géneros diversos, como ficción contemporánea, memorias, no ficción histórica, y poesía, cultivando una comunidad de lectores y autores apasionados y profesionales de la industria. Dirigida por Ted Olczak, un veterano de la industria editorial, Printed Word Reviews provee reseñas editoriales, entrevistas de autores y noticias acerca de la industria. Además, PWR facilita contactos para la publicación y estrategias de mercadeo para autores y editoriales independientes, universitarias y grandes, a través de su división comercial. Libros premiados de todo el mundo se destacan en cada edición de Printed Word Reviews, con Olczak a cargo de la promoción de The Independent Press Award, https://independentpressaward.com/ , y NYC Big Book Award, https://www.nycbigbookaward.com/ , que son programas prestigiosos reconocidos internacionalmente dedicados a remarcar la excelencia en el mundo editorial. Printed Word Reviews el firme compromiso de remarcar historias excepcionales. PWR obtiene las perspectivas de su comunidad acerca de los mejores libros y autores, destacando desde obras superventas hasta pequeños tesoros independientes, y sirve como una conexión fundamental entre autores brillantes y lectores apasionados. Estamos introduciendo nuestra versión en español este año, y estamos queremos presentar la revista, los autores y los libros en la Feria Internacional del Libro de Guadalajara. Printed Word Reviews se publica mensualmente y está registrada en The U.S. ISSN Center en la Library of Congress en Washington, D.C. con ISSN 3067-011X. Olczak también dirige la revista trimestral BOOKCamp Magazine, que incluye la columna Friction Factor, escrita por Brian O’Leary de Book Industry Study Group (BISG), y el evento anual de primavera. Para más información, por favor contactar a Ted Olczak por email, Ted@PrintedWordReviews.com , o llamar o mandar un mensaje al +1 (718) 938-4590. A BOUT PRINTED WORD REVIEWS Printed Word Reviews, https://printedwordreviews.com/ , is an international print and digital publication dedicated to detailed, comprehensive, and honest literary reviews. The publication covers a range of diverse genres, including contemporary fiction, memoirs, historical non-fiction, and poetry, cultivating a community of passionate readers, authors, and industry professionals. Led by Ted Olczak, a publishing industry veteran, Printed Word Reviews provides editorial reviews, author interviews, and industry news. Additionally, PWR facilitates publishing contacts and marketing strategies for independent, university, and major authors and publishers through its commercial division. Award-winning books from around the world are featured in every issue of Printed Word Reviews, with Olczak in charge of promoting The Independent Press Award, https://independentpressaward.com/ , and the NYC Big Book Award, https://www.nycbigbookaward.com/ , which are prestigious, internationally recognized programs dedicated to highlighting excellence in the publishing world. Printed Word Reviews maintains a steadfast commitment to highlighting exceptional stories. PWR gathers its community's perspectives on the best books and authors, showcasing everything from bestselling works to hidden indie gems, serving as a vital bridge between brilliant authors and passionate readers. We are launching our Spanish version this year, and we are looking to present the magazine, authors, and books at the Guadalajara International Book Fair. Printed Word Reviews is published monthly and is registered with The U.S. ISSN Center at the Library of Congress in Washington, D.C., under ISSN 3067-011X. Olczak also directs the quarterly publication BOOKCamp Magazine, which includes the column Friction Factor, written by Brian O’Leary of the Book Industry Study Group (BISG), and the annual spring event. For more information, please contact Ted Olczak by email at Ted@PrintedWordReviews.com , or call or text +1 (718) 938-4590. Ted Olczak, Publisher Printed Word Reviews / BookCAMP magazine Ted@PrintedWordReviews.com Feel free to connect with me: https://www.linkedin.com/in/ted-olczak-64a1386/ https://meetings.hubspot.com/tolczak My book recommendations make it into Readers Digest to New York City Times Square Billboards. “You can't wait for inspiration; you have to go after it with a club" —Jack London

< Back Davida Breier Appointed to Association of University Presses Board of Directors June 18, 2026 at 6:08:13 AM Hopkins Press celebrates the veteran publishing executive’s new leadership role in the scholarly publishing community. Hopkins Press has announced the appointment of Davida Breier to the Association of University Presses (AUPresses) Board of Directors. Breier, a seasoned publishing professional with more than three decades of industry experience, currently serves as the Co-Director of Sales and Marketing for the Books Division at Hopkins Press and the Director of Hopkins Fulfillment Services (HFS). Her appointment to the board as Director-at-Large recognizes her extensive expertise and long-standing dedication to advancing the reach of scholarly publishing, and is timely as AUPresses starts their annual meeting today in Washington, DC. Breier’s career spans over 30 years, during which she has become a deeply respected figure across various sectors of the book industry. Long before her tenure at Hopkins Press, she was highly active in independent and trade publishing. Her previous leadership experience includes serving on the board of the Independent Book Publishers Association. In addition to her executive achievements, Breier is a published author. Her debut novel, Sinkhole , was published by The University of New Orleans Press, giving her a well-rounded perspective on the industry as both a publisher and a creator. At Hopkins Press, Breier manages critical sales, distribution, and fulfillment initiatives. Under her leadership, HFS and the Books Division have expanded their global footprint, successfully connecting scholarly works with reader and industry audiences. Through these efforts, Breier has established herself as a leading voice for the dissemination of academic research and literature. In a statement sharing the news , Hopkins Press expressed immense pride in Breier's new appointment, noting that the board position reflects both her professional acumen and her dedication to the university press ecosystem. "Her appointment to the AUPresses Board of Directors reflects both her professional expertise and her commitment to the collaborative mission of university presses," the press shared, offering congratulations to Breier on her well-deserved new role. As a member of the AUPresses Board, Breier will help guide the association’s mission to support the work of global scholarly publishers and advocate for the vital role that university presses play in education and culture. Reported by Printed Word Reviews Share this article Copy link LinkedIn Facebook X (Twitter) WhatsApp Pinterest

< Back Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Share this page: PWR eNewsletter Printed Word August 15, 2025 BookCAMP by Printed Word Reviews Ted@PrintedWordReviews.com https://www.printedwordreviews.com/bookcampmagazine August 2025 - publisher/author edition Forward To Friend Connect at https://www.linkedin.com/in/ted-olczak-64a1386/ ========================================== IN THIS ISSUE Distibutors List updated Featured Book Review by Printed Word Reviews Interviews Sponsored Coming Soon ========================================= Book distribution matters. We'll be covering the differences between a book wholesaler and distributor in the next BookCAMP issue. In the meantime, the site has been updated with a list: https://www.printedwordreviews.com/distribution ========================================== Featured FALCON book review: Vatican Daughter In a world where the secrets of the Vatican threaten to unravel, a mother’s desperate quest to reclaim her daughter from the clutches of the Church's dark past forces her to confront powerful men willing to kill to protect their sins. Read more at https://www.printedwordreviews.com/bookreviews/9781803417981 ========================================== Gab Talks Interviews President of the Independent Press Award speaks with Anita Selzer, author of The Female Gaze in Art and Photography https://www.independentpressaward.com/thegabtalks/the-female-gaze-in-art-and-photography ========================================== Printed Word Reviews Interviews Ted Olczak, Publisher of Printed Word Reviews, at ALA with Kris Bigalk, https://youtu.be/5rEM7h7N9UE ========================================== Sponsored by the Independent Press Award Receive recognition! The Independent Press Award is designed to recognize excellent books published by independent authors and publishers, self-published and traditional authors in 12 main categories (100 total subcategories). Next rolling deadline is August 31st, https://www.independentpressaward.com/ , all books to be received by December 15, 2025. Winners announced every spring. NYC Big Book Award includes the Big 5 Publishing Houses and deadlines August 15th, https://www.nycbigbookaward.com/ . Winners announced October 20, 2025. Be recognized and have your winning title published in Printed Word Reviews magazine. ========================================== COMING SOON Final round of NYC Big Book Award submissions Opening of the Independent Press Award excludes the Big 5, https://independentpressaward.com September BookCAMP issue focuses on MFA programs, book distribution, and fall book shows https://www.printedwordreviews.com/bookcampmagazine ========================================== (c) 2025 Ted Olczak. Please forward and share this newsletter in its entirety. Previous Next